Cwm Nash Woodland

These photos are from a woodland on Bristol Channel coast of South Wales. I know the area in the Vale of Glamorgan from working there on a  project a few years ago, but I had not been to this particular spot before.

The images form part of a new StillWalks video I was asked to produce as part of a research project being run by Dr Cathy Treadaway for CARIAD at Cardiff Metropolitan University. The project – “Walk and Draw for Health and Wellbeing” – is very much in keeping with my StillWalks philosophy and the video will be available to view at the end of this week.

Cwm Nash

Cwm Nash

Cow Parsley

 

 

 

Cardiff Met Degree Shows

I was allowed to take photos at the Cardiff Metropolitan’s School of Art Degree Show this year. The images below represent a small part of the Ceramics Show – click on the images to go to the artists’ websites.

The shows for other courses there were also excellent and we had a very good day out looking round the exhibitions at Howard Gardens and in the new building at Llandaff.

Cardiff Met Ceramics Degree

Theo Adamson Ceramics

 

Cardiff Met Ceramics Degree

James Hobbs – Ceramic Artist

Cardiff Met Ceramics Degree

Sophie Southgate

Cardiff Met Ceramics Degree

Sophie Southgate

Cardiff Met Ceramics Degree

Harriet McCormick

Looking Seeing Drawing

I am currently working on two drawing based projects. The first is the Josef Herman Art Foundation Cymru Schools Award Project 2014. The focus of my part in this project, apart from Josef Herman, is drawing – more specifically, drawing and digital media (iPads). See below for examples on video from this project.

The second is a research project run by Cathy Treadaway with CARIAD at Cardiff Metroplitan University – Centre for Applied Research in Inclusive Arts and Design.

Both projects fit well with my approach to drawing. Drawing is about looking and understanding. By observing the things around us (or within ourselves) and transferring that observation to the drawing medium, we can understand and appreciate more of what we observe. For this to happen we must look, look and see. The more we look, the more we see, the better we understand. The deeper our understanding of the world around us, in my view, the closer we come to balance within that world.

Our understanding of drawing has widened in recent decades. The traditional techniques of pencil or charcoal on paper (amongst others) have been augmented. My own drawing used often to be charcoal on paper (a medium I love). These days I think of some of the work I do with wire and weave, as drawing – it is a way of working out ideas in my head that need a means of expression. The full expression, however, does not appear until a finished piece is produced. The “sketchbook” I took with me recently to Crickhowell, to show my tapestry workshop participants, was a table full of bits of weaving and wire, three dimensional trials and experiments – there was no paper.

When producing my StillWalks videos, the first step (most of the time) is to carry out a recce walk. I don’t take my cameras and only take photos on my iPhone. I think of this as drawing. It is my first sketch of the environment where, on production day, I will gather the content for the finished StillWalks video.

The digital medium element of the Josef Herman project is the iPad. All of the schools I am working with use iPads in their classrooms and so were familiar with them. They were less familiar with using them for drawing. However, David Hockney, through the use of his iPad, has shown the world a good example of the widening array of methods to record our observations and express our imagination and understanding.

Below are some examples of drawing by 9 and 10 year old children based on Josef Herman’s work. The children modelled as figures from Herman’s works and drew each other on both paper and iPads.

Exhibiting Light 2

The first photo here is not an exhibit at the second gallery we visited last week – the Howard Garden Gallery at Cardiff Met University. The video below the photo was an installation art work which had to be viewed in a dark room. If you want to be able to see the video, I suspect you will also need to darken your room.

Personally, I liked the crack in the dark by the entrance more than the piece itself but I enjoyed the rest of this exhibition by Avtarjeet Dhanjal. More info on the show can be found here – hmmm, just discovered it finishes today so here is a quote from I’m on that web page.

“When growing up in the Panjab, India, I was not aware there was such a thing called ‘Art’; though my mother decorated our house with beautiful wall murals using clay. It was never called Art. One could find many other examples of beautiful objects of daily use; those enhanced the quality of life. To hold a beautiful object on your hand, or to stand facing a unique work of art, one feels a delight whether one has any formal education in aesthetics or not. This is considered the intrinsic worth of a work of art” – Avtarjeet Dhanjal.

Crack in the Dark

Crack in the Dark

Avtarjeet Dhanjal

Avtarjeet Dhanjal

Avtarjeet Dhanjal

Avtarjeet Dhanjal

Avtarjeet Dhanjal

Avtarjeet Dhanjal

Avtarjeet Dhanjal

This trough was half filled with water but because the blue plastic itself was shiny and reflective, it was almost impossible to see the water. The installation shown in the video above also used “invisible” water.

Avtarjeet Dhanjal

Avtarjeet Dhanjal