Trolley Cemetery and a New View of Drawing

Decaying with time, these old trolleys create a strange cemetery in the mouth of the River Tawe, Swansea.

Those that already follow this blog will know that there is more to come throughout this week to tell the story of a recent walk in the docks/marina area of Swansea.

The walk was the second Mission Gallery Walk and Draw with Sarah Abbott that I have taken part in. On this occasion, while I did a little sketching, most of my drawing was with my DSLR camera, iPhone and small edirol sound recorder.

Having read that the winner of the Jerwood Drawing Prize this year was sound artist  Alison Carlier, I felt that my description of drawing with my camera and sound recorder while out on pre-production recce walks for StillWalks videos, is perfectly valid.

With The Big Draw continuing throughout this month, perhaps it is an appropriate time to consider and enjoy the broadening definition of drawing.

trolleys in sand

trolley in sand

Old fence section

trolley in sand

Drawing and the iPad – Conclusions

I was in the shade of Cwn Nash woods when I did the last of my iPad drawings on the Walk and Draw day on the South Wales coast and so it was done in more comfort than the previous ones.

My conclusions, for now, regarding the iPad as a tool for drawing are that I will not be splashing out on one just yet. I prefer using pencil or charcoal on paper. However, if I were to get one, it would be with the purpose of finding other approaches to drawing with it. I have no interest in trying to produce a “watercolour” or “pastel” drawing with the iPad, but as David Hockney showed, it can be used very effectively as a medium in itself and not as a means to imitate others.

Walking and Drawing – Thoughts and Observations

Following the production walk for the “Breakers Walk” StillWalks video (see yesterday’s post), I recently spent a day with three of the other artists involved in the research project “Walk and Draw for Health and Wellbeing”. The project, led by Cathy Treadaway from CARIAD, involved us on this occasion, all going for a walk through Cwm Nash woods down to the seashore and the cliffs on the South Wales coast and spending some time drawing.

I took a small sketchbook and an iPad. I have been working with drawing and iPads on the recent Josef Herman Art Foundation Schools Award project for 2014 and wanted to continue with my assessment of the iPad as another instrument for drawing. I have not reached a clear conclusion about this medium yet, other than to say it is quite different to other methods of recording observation.

The one thing the iPad has in common with all visual recording methods is that you still have to look. You can, of course, use the iPad camera to take a photo and then use that image to “trace” aspects of the subject but, to my mind, with that approach you lose the advantages gained in looking . . . or do you? After all,  observation has to be used in order to decide on the photograph to be taken and that is an essential element of StillWalks.

What are the advantages of visually recording observations? What are advantages of the different methods of visually recording observations? And what are the disadvantages of not recording observations?

More thoughts on this to come . . . 

Down on the beach

Rocky shore

breakers