Yesterday I went through gates, today I am crossing bridges.
Foot bridges can serve a similar role to gates in a StillWalk. Useful as way markers both visually and aurally, the design, materials, condition, sounds – all play a part in identifying a stage in the walk.
Here are two of the foot bridges I encountered on my recce walk of the River Morlais and Troserch woodland with a view to producing a new Summer time StillWalk.
A recce walk through recently discovered woodland revealed a number of elements that can be very useful in the production of a StillWalk.
Gates, both the images and the sounds can, in the sequence of a StillWalk, provide a visual and aural way marker and in doing so, give a sense of progression. If the gates are of different design or in different states of repair, this too can be recognised as a way marker if the walk is circular, sending a message to the viewer that they are on the return journey.
There were several gates along the River Morlais leading into Troserch Woods. All were either of different design, at different angles, more or less rusted . . .
The sounds of the gates are also unique, though this is as much because of the surrounding conditions as the type of gate – here is an example from StillWalks on SoundCloud.
Coming down from the hills at the end of the day and heading into the sunlight can provide some remarkable views of the landscape – dependant, of course, on the weather conditions and time of year.
The end of my journey home from Felindre brought me down from the hills towards Pontarddulais in South Wales where there is a vast network of metal giants criss-crossing the land as part of the National Grid.
Electricity pylons seen against the light and the land need not be a blot, but rather a fascinating part of the composition, creating patterns and networks of lines that may not be natural, but are something we are happy to live with in order to have the power we need for modern life.
These and more photos can be seen and purchased at StillWalks PhotoShelter.
I posted these sounds to all my other social media platforms this morning but held back until now to post it here.
The sounds were recorded during my recce walk for a new StillWalk video along a stretch of recently discovered river and woodland near where I live.
The video will obviously not include the Lancaster Bomber as it won’t be around when I do the actual production walk but it was good to hear on its way home from the annual air show at Swansea.
Still enjoying the short journey home over the hills from Felindre, the local Welsh landscape is beautiful and it’s got nothing to do with the current good weather, honest!
My work over the years has taken me all over South Wales and although this has meant a lot of driving, it has also given me the opportunity to see different aspects of the landscape in all sorts of conditions. Whether it is local or more distant, you have to be there to really appreciate it. Photography can do only so much. Artists can capture moods of a scene with which you can best identify if you have been there or somewhere like it.
I do not describe the photography I do as landscape photography. Although much of it involves the landscape, the photography I do for StillWalks, I describe as environmental – natural and man-made. If you google landscape photography, you will be presented with any amount of spectacular photographs produced by a range of more or less well known photographers who have done all the “right” things in terms of framing the shot and finding the right angle, waiting for the light, etc.
Some of the scenes from around the world (both near and far) are truly amazing . . . yes, there is a but coming . . . but, some of the shots I see seem to me to be almost unreal or super-real, a bit like photo-realism in painting – it’s almost beyond belief. It seems as though there is no texture in the scenes and texture is something I am interested in, no doubt due to my other life as a tapestry weaver. It may be that in these textureless images, there has been some over-use of pixel smoothing techniques but I know of one photographer who does not make this mistake, if it can be called that.
Victor Rakmil is a photographer whose work I greatly admire and he writes an excellent blog much of which I would entirely agree with and learn from regarding technique. Take a look to see the texture that remains in his landscape scenes as well as the other photographic genres he covers.
I took the shots below on my way home over some of the lower lying Welsh hills. It was a hot a hazy day and for me, give a true (photographic) representation of the landscape as it was at that time in those conditions. Tomorrow I’ll have some more!
These and more photos can be seen and purchased at StillWalks PhotoShelter.
Returning home over the hills from Felindre (see yesterday’s post) in the sunshine, I stopped several times to take in the views. As the evidence shows, I was heading towards Pontlliw.
The hot and hazy scene in the last photo is not Felindre but a part of Swansea with the Borg type cube (ref. Star Trek) of the DVLA (Driver Vehicle Licensing Authority) building.
The Red Arrows would be streaking across this patch of sky a couple of days later as part of the Swansea Air Show. I only part I saw of it was a Lancaster Bomber heading home afterwards. The sound of the plane quite something and I cannot imaging what a whole squadron flying overhead would have sounded like in the war!
These and more photos can be seen and purchased at StillWalks PhotoShelter.
Following the recent StillWalks project exhibition, “Sights and Sounds of the Countryside”, I was delivering some the display screens back to Felindre Primary School who had generously loaned them for the purpose.
Being a beautiful, sunny day and quite different to the weather we had on the project production days, I was tempted to walk some way along the footpath we had taken up to Lliw Reservoir. It is a part of the Gower Way and the photo below shows the start of the walk.
I would love, over time, to produce more StillWalks along here and at Lliw Reservoirs in different seasons. All I have to do is find the time or someone to pay for it!
These and more photos can be seen and purchased at StillWalks PhotoShelter.
A few weeks ago I started writing a short blog style article for the online version of our local newspaper, the South Wales Evening Post. The articles are about some of the walks I take in the Swansea area and many of them are a little off the beaten track.
My contribution to the paper today (read here) features the River Tawe at Ynystawe but here, on this blog I want to present another part of the river. The StillWalks, “Abertawe Walk”, takes you along the cycle path between the Liberty Stadium and the bridges at SA1 and the Maritime Quarter in Swansea.
The production for this walk was done in the Autumn and the walk takes you through the woods along side the river as well as the cycle path.
The video can be seen here and the photos below are taken from that production.
from Abertawe Walk – Autumn
from Abertawe Walk