I could have imagined being in the Mediterranean on my walk this week. – It was a bright blue day in the South Wales seaside town of Tenby with its colourful buildings and exotic planting of palms, completed the illusion.
Colour and texture was the order of this day out with the strong blues of the sea and sky and the fascinating textures of the seaweed on the sea wall and ropes tethering the boats.Continue reading→
My walk this week is along the western riverbank of the Tawe. The starting point is under the bridge at Morfa where the heart of Copperopolis used to be back in the 18th and 19th centuries.
There wouldn’t have been a concrete bridge in those days of course, but I like the patterns and colours to be seen there and I enjoyed them along the riverbank and on the water’s surface as well.Continue reading→
My walk this week is at the National Botanic Garden of Wales where there was some weathering they could not control. Outside the Great Glasshouse the sun and rain, heat and cold have taken their toll on this metal plant label and the paint has cracked and peeled into a most interesting, map-like pattern.
Inside the Great Glasshouse they can and do control the weather conditions for the different parts of the world represented there. So while there are times of year when everything in there seems so busy with growth, there are always fantastic colours, patterns and textures to enjoy whatever the time of year.Continue reading→
I was looking for woodland on my walk this week – and I found it, to a degree, behind the colour in construction of the Science and Technology Block of York University.
It was open woodland straggling along the back of the university which I picked up again on my return across open fields. The colours used in the modern buildings reflected those of older walls surrounding the adjacent York House BIRT facility. I enjoyed the colour in both as well as the textures and patterns in the old, and the cleanliness and hard edges of the new.Continue reading→
The surface of the sea is constantly changing – colour, pattern, texture – it all depends, from moment to moment, on the changing conditions of light, wind, currents and the pull of the sun and moon.
However rough or calm the sea is, the changing patterns on the surface of the water can hold my attention for a long time. The longer I look, the more subtleties I see and although there is an overall rhythm to the motion, that too changes gradually as the tide gently rises and falls against the rocks and seaweed – see the video below.
One reason for my walk this week through the woodland of my local park was to see the Bluebells that have grown up profusely in the past few years since the park has been managed by the Friends of Coedbach with the support of the council’s Parks Department. The temptation with bluebells when photographing them is to exaggerate the saturation of colour in an effort to replicate the impact a carpet of blue in woodland has on our senses as we walk amongst the trees.
They are amazing but however anyone processes or presents a photograph of them, the reality is that, at best, the image will provide a good memory of the last time you saw bluebells in the real world. I have tried to avoid exaggerating the colour in my photography of this phenomenon but looked instead for anglesContinue reading→
We didn’t have a lot of time to stay in Leeds on my walk this week but I still managed to take in some of the current sculpture exhibition at the Leeds Art Gallery. One of my favourites was this piece by Barbara Hepworth from 1953.
Barbara Hepworth – Hieroglyph
The title of the work, “Hieroglyph”, prompts towards an interpretation of the piece I suppose but not knowing the title at the time of initially viewing it, I didn’t think of it as being a hieroglyph. However, its language spoke to me in terms of surface texture and pattern, form and I guess, humanity and nature. The shapes of the hollowed out areas seem figure-like and looking through them to the other side had an essence of intimacy about it. I wanted to touch and caress its cool warmth! If such a contradiction in terms can be accepted, it is the only term I can find to express my perception of the piece while expecting the stone surface to be cool to the touch.
The Richard Long installation left me cool, if not cold. The impact of the work may come again from the contradiction (or should I say juxtaposition?) of the arrangement of the natural material and the space it is in, but for me it felt somewhat contrived.
The work that had the greatest impact on me, though I cannot say it was a particularly positive one, was the alabaster figure holding a bird to her shoulder by Woman and Bird by John Skeaping. The material had a strange effect on me and looking back at the VR shot I took of the room (see below), I think it may have been the sense that I was able to see inside the body at the same time as seeing its surface – I found it a bit disturbing. Again with this piece there was an element of contradiction – the apparent textures of the stone revealed through its changes in colour, pattern and internal structure was in contrast to its worked smoothness and again there was the warmth of colour but the knowledge that if touched it the sensation would be of cold or coolness.
Richard Long installation
Richard Long installation detail
Barbara Hepworth – Hieroglyph
Barbara Hepworth – Hieroglyph reverse side
Barbara Hepworth – Hieroglyph detail
Graham Sutherland – Tin Mine: a Declivity
Mobile by Lynn Chadwick
Woman and Bird by John Skeaping
As with my previous post, if you click the VR image below on an iPhone or Android phone with the Google Cardboard Camera app installed, you will be able to view the full 360º of the space in virtual reality. On the linked image on your phone select the “Save to app” button and then fit your phone to the Google Cardboard device.
On this, the third side of my triangular urban walk this week, my main focus (or perspective) is on steps. It was a long set of scaffolding steps that I originally wanted to photograph and which turned into a walk round the block that revealed some other angular and twisted (spiral) steps. I was amused by the “floating” gate below which advertises the entrance to The Forge.
As someone who enjoys many different aspects of metal I couldn’t resist the first perspective shot below of the structure and pattern of shop front shutters, but as I turned the next corner I was also taken by the colour, repeating pattern and perspective of the short terrace across the street. I found other perspectives Continue reading→