Perspective, Viewpoint and Cropping

I tried different crops on both these photos in the Carmarthenshire countryside. In each case I thought the crop closest to the original photo was best but if you look on Instagram you will be able to see a different crop to this first shot. My preference is for this view because I find the composition of the diagonal and horizontal lines of the hedgerows in the background give an attractive cap to the flow and direction of the fence and its perspective. A square crop would make much less difference to the second shot where it is the textures and patterns I find of greatest interest.

Complementary images to my walks this week can be found directly on Instagram or via the sidebar images on the StillWalks blog. Images displayed here and on Instagram are a mixture of iPhone and Canon DSLR photography.

Carmarthenshire Fence

Carmarthenshire Gate

Landscape Details

Seen from the Roman road I have been walking along in Carmarthenshire, this view shows a small patch of the landscape in which it is set. Even though the tree in the foreground cuts across the view, I feel that it still does the job of somehow framing the scene, putting the scale and perspective in context.

The monochrome shot of the fence posts is more of a detail of the landscape. Apart from changing it to monochrome I had do some further work on the image. I liked the stance of the fence posts and the tangled texture of the barbed wire but there were one or two distracting objects in the background field that needed removing. One of them was positioned  behind the fence and proved a challenge to remove satisfactorily. Generally I make image adjustments in Lightroom but for more detailed work like that I would open the shot in Photoshop.

Complementary images to my walks this week can be found directly on Instagram or via the sidebar images on the StillWalks blog. Images displayed here and on Instagram are a mixture of iPhone and Canon DSLR photography.

Carmarthenshire

monochrome fence posts

Concertina Effect

As Penarth Pier stretches out into the sea the structure of stanchions that hold it up have an interesting concertina effect towards the end. I can’t be sure but I like to think (for some weird reason), that this is partly the result of perspective and not just the fact that there are more stanchions closer together where the end of the pier widens to a viewing (and fishing) platform.

Penarth Pier

Seeing the Sea Wall – A Confusion of Scale

The scale of the sea wall separating Swansea beach and Swansea harbour can be seen here without to much ambiguity. However, when looking from the top end, at its lowest point to the ground, a confusion of scale becomes apparent.

While it seems from the top of the beach that the wall doesn’t “grow” in size much at all, as you walk towards the sea beside the wall, it becomes gradually apparent, until, at its highest point, you realise the true scale of it towering above you. The same effect of space distorted can be seen if you approach the wall “broadside” from a distance along the beach.

It doesn’t matter that I know the scale of the wall and have approached it in this way many time, that strange confusion of scale does its trick on my perception of it every time.

Has anyone else experienced this kind of spacial effect here or anywhere else?

Sea Wall rusty sea wall

Focusing on Perspective

Walking out on Swansea harbour wall or pier, I had forgotten just how long it is – deceptively so. The tidal range in Swansea Bay is big in so far as the sea goes out a long way and I guess a tidal harbour in a location like this needs those long walls.

The distance and scale of the structure can play havoc with your sense of perspective and space.

Swansea Docks Railings

Swansea Docks Railings