Looking deep into the damp woods of a welsh valley reveals quite a tangle of mossy branches. When walking through woodland I often get the urge to delve deeply into their interior, no matter how dense that may be. I wonder if the woods would feel this was an invasion or a connection?
Exploration like this is not such a great risk in Britain as it would be in other larger countries. However, that does not mean that the risk is not there, so don’t wander too far from the path folks!
What might these inquisitive alpacas be saying / thinking? Suggestions in the comments please or email me at ad@stillwalks.com
The last of my images for this week is a final view of Penarth Pier against the rising sun on a grey day. Also featured is a slideshow of the images I have posted through the week. I would also like to connect to another blog this week – that of Lightscapes Nature Photography. I get frustrated when I see overworked photography with that slickly unreal appearance and no texture – it seems to be used a lot commercially. However, that is not the case with Kerry Mark Leibowitz’s photography of landscapes and on top of that, there is good reading and advice to had as well.
Exploring underneath Penarth Pier at high tide is not necessarily a good idea. Capturing these alternative views of the pier structure meant I had to leap out of the way of the water at the last moment. As has happened on other occasions, when taking photographs, I forgot about the time I was taking.
The first image below is not monochrome but you would be forgiven for thinking it is. I admit to taking the saturation down a bit but most of the effect comes from the direction of sunlight (yes, sunlight) and the angle of the camera. There was also quite a weird light in the sky anyway (as can be seen in my first post this week), and this has also contributed to these images.
The bottom two photos are monochrome and the last one is also included in Leanne Cole’s Photography blog post Monochrome Madness.
As Penarth Pier stretches out into the sea the structure of stanchions that hold it up have an interesting concertina effect towards the end. I can’t be sure but I like to think (for some weird reason), that this is partly the result of perspective and not just the fact that there are more stanchions closer together where the end of the pier widens to a viewing (and fishing) platform.
Whether or not you have been looking at the StillWalks blog over the last week, here is a chance to look through the sequence of images that I have posted on the subject (mostly) of the wild, wet and windy weather that can be experienced at this time of year on the Mawr uplands near Swansea in South Wales.
