Walking back along the barrage towards Cardiff, the views of these colourful Cardiff dock cranes were well worth photographing in my opinion. The blue structures with yellow tips become creature-like as they appear to converse with each other in pairs.
We didn’t take the water bus but walked across Cardiff Bay on the barrage instead. The view across the water shows the bronze roof of the Millennium Centre glinting in the sun and the red terracotta ceramic surface of the Pierhead building in front of it.
I have no idea what these objects in the sea are! I imagine the distant ones are buoys for shipping. I am pretty sure the larger structure also has something to do with shipping but as it is so close to the Cardiff Bay barrage, where we were walking, I am not sure what its purpose is. It has meteorological equipment on it and clearly it is a convenient pirch for birds – other than that all I can say is that I like the composition of uprights, horizontals and perspective in this shot.
This image can also be seen in black and white on Leanne Cole’s Photography blog post Monochrome Madness 2-29.
The second photo includes Flat Holm and Steep Holm islands in there Bristol Channel.
Walking from the modern architecture of Cardiff Bay to the bay’s barrage took us past an area of old docks. The backdrops of the buildings in one case and old painted walls in another, both seen behind that determined urban wildflower, buddleia, were the points of interest for me at this stage of our walk.
The starting point for a recent walk around Cardiff Bay can be seen below in some of the angular architecture of the area. The architecture may be one of the things that Cardiff Bay is known for but my walk this week, which took us across the barrage, will be taking an alternative look at the area and some of the features that caught my attention.
The materials of the building in the background of the second photo prove it to be the same one as is in the first shot. You may be able to tell that the first image was taken at a different time to the second as is shown by the change in weather. It’s the bird I particularly like in this photo, and the red triangle of the footbridge in the second one, or perhaps I should say the context of these elements of the images.
It seems the sweet chestnut is one of the trees that sheds its leaves earliest in Autumn. This one is on its way but the stage I like these leaves best, after they have fallen, is probably into the Spring when they have been lying on the ground for months and have gone thin and papery. Their structure breaks down and their colour becomes pale, almost bleached. I have photographed them like this in the past and you can see the results in one of my previous posts here.
The morning sun does not reach this part of the woodland footpath I was following, but there are advantages to this. The brambles here are still there for the picking, stretching out the brambling season a bit further – and they look very tasty.
The dawn walk I have been posting about this week took me through woods I have often posted about on this blog. Unlike yesterday’s underexposed images this first photo is much more like the reality of the place. The second, however, is again underexposed – the effect of the morning sunlight and shade of the trees on the footpath highlighted the forms and patterns of the leaves and the warmth of colour from the just risen sun produced a real sense of the place at that time.
