Part two of this series of images from Three Cliffs Bay on the Gower Peninsula in South Wales.
It was a hot and bright day and there were various activities going in different parts of the bay. I particularly like the middle one of these three photos because it seems to me to show the blinding heat of the day so clearly. Virtually the only way to differentiate the sea from the sky is the change in texture.
It is similar in the third shot but I was more intent on bringing in the foreground and the subsequent pattern layers in the scene.
This week I am going to be posting a range of photos from a recent walk at Three Cliffs Bay on the Gower Peninsula in South Wales.
The photos are not for a StillWalk video in that the photos are not necessarily in sequence but feature different aspects of the area such as those in todays post featuring the stepping stones across the river in the bay.
Other features over the next seven days will be people and the beach, patterns and rocks, Pennard Castle, footpaths, views and finally woodland.
Here it is again – the French Evening Walk video from yesterday’s post. I really like it and so I want to show it to you again and maybe, if you have already enjoyed it, you will watch and listen and enjoy it again.
Finally, here is the French Evening Walk StillWalks video I previewed on this blog a few weeks ago. It’s only taken a year to finish it off but I am pleased with the results. I hope you enjoy it.
Take the opportunity to watch and listen to it while you can because this 480p video is full length, but only for a while. The StillWalks videos on the website are now all sample length low resolution versions which are available to buy in a range of formats.
The walk takes place in the Indre et Loire region of France – specifically along the tiny road from the medieval village of Faye La Vineuse to St Christophe. It is a beautiful and peaceful part of the French countryside which lies a few miles south of Richelieu, the town designed and built by Cardinal Richelieu (think the Three Musketeers).
If you are seeing this in an email, click the image below to go to the blog and play the video.
In planning the first StillWalks Sights and Sounds Tag Along Walk (see yesterday’s post), I did not go right down to Three Cliffs Bay. This is certainly an option for a Tag Along Walk but when I was there, the sun was way too hot and so I stopped at an excellent viewing point just off the footpath above the bay.
It is a fantastic place and must be popular at the height of the season but I don’t think any of the Gower beaches ever get really crowded.
Dates and times – If anyone is interested in doing one of the Tag Along Walks, I suggest you keep an eye on the StillWalks website for dates and times. These should be announced next week and numbers are restricted. If you are interested, please contact StillWalks so that we can contact you as and when walks are being organised and places become available.
Click on the photos to enlarge. More are available on the StillWalks Photography website at PhotoShelter (some day I will get the the two sites integrated).
Yesterday I went through gates, today I am crossing bridges.
Foot bridges can serve a similar role to gates in a StillWalk. Useful as way markers both visually and aurally, the design, materials, condition, sounds – all play a part in identifying a stage in the walk.
Here are two of the foot bridges I encountered on my recce walk of the River Morlais and Troserch woodland with a view to producing a new Summer time StillWalk.
Coming down from the hills at the end of the day and heading into the sunlight can provide some remarkable views of the landscape – dependant, of course, on the weather conditions and time of year.
The end of my journey home from Felindre brought me down from the hills towards Pontarddulais in South Wales where there is a vast network of metal giants criss-crossing the land as part of the National Grid.
Electricity pylons seen against the light and the land need not be a blot, but rather a fascinating part of the composition, creating patterns and networks of lines that may not be natural, but are something we are happy to live with in order to have the power we need for modern life.
Still enjoying the short journey home over the hills from Felindre, the local Welsh landscape is beautiful and it’s got nothing to do with the current good weather, honest!
My work over the years has taken me all over South Wales and although this has meant a lot of driving, it has also given me the opportunity to see different aspects of the landscape in all sorts of conditions. Whether it is local or more distant, you have to be there to really appreciate it. Photography can do only so much. Artists can capture moods of a scene with which you can best identify if you have been there or somewhere like it.
I do not describe the photography I do as landscape photography. Although much of it involves the landscape, the photography I do for StillWalks, I describe as environmental – natural and man-made. If you google landscape photography, you will be presented with any amount of spectacular photographs produced by a range of more or less well known photographers who have done all the “right” things in terms of framing the shot and finding the right angle, waiting for the light, etc.
Some of the scenes from around the world (both near and far) are truly amazing . . . yes, there is a but coming . . . but, some of the shots I see seem to me to be almost unreal or super-real, a bit like photo-realism in painting – it’s almost beyond belief. It seems as though there is no texture in the scenes and texture is something I am interested in, no doubt due to my other life as a tapestry weaver. It may be that in these textureless images, there has been some over-use of pixel smoothing techniques but I know of one photographer who does not make this mistake, if it can be called that.
Victor Rakmil is a photographer whose work I greatly admire and he writes an excellent blog much of which I would entirely agree with and learn from regarding technique. Take a look to see the texture that remains in his landscape scenes as well as the other photographic genres he covers.
I took the shots below on my way home over some of the lower lying Welsh hills. It was a hot a hazy day and for me, give a true (photographic) representation of the landscape as it was at that time in those conditions. Tomorrow I’ll have some more!