Walking and Drawing – Thoughts and Observations

Following the production walk for the “Breakers Walk” StillWalks video (see yesterday’s post), I recently spent a day with three of the other artists involved in the research project “Walk and Draw for Health and Wellbeing”. The project, led by Cathy Treadaway from CARIAD, involved us on this occasion, all going for a walk through Cwm Nash woods down to the seashore and the cliffs on the South Wales coast and spending some time drawing.

I took a small sketchbook and an iPad. I have been working with drawing and iPads on the recent Josef Herman Art Foundation Schools Award project for 2014 and wanted to continue with my assessment of the iPad as another instrument for drawing. I have not reached a clear conclusion about this medium yet, other than to say it is quite different to other methods of recording observation.

The one thing the iPad has in common with all visual recording methods is that you still have to look. You can, of course, use the iPad camera to take a photo and then use that image to “trace” aspects of the subject but, to my mind, with that approach you lose the advantages gained in looking . . . or do you? After all,  observation has to be used in order to decide on the photograph to be taken and that is an essential element of StillWalks.

What are the advantages of visually recording observations? What are advantages of the different methods of visually recording observations? And what are the disadvantages of not recording observations?

More thoughts on this to come . . . 

Down on the beach

Rocky shore

breakers

Cwm Nash Woodland

These photos are from a woodland on Bristol Channel coast of South Wales. I know the area in the Vale of Glamorgan from working there on a  project a few years ago, but I had not been to this particular spot before.

The images form part of a new StillWalks video I was asked to produce as part of a research project being run by Dr Cathy Treadaway for CARIAD at Cardiff Metropolitan University. The project – “Walk and Draw for Health and Wellbeing” – is very much in keeping with my StillWalks philosophy and the video will be available to view at the end of this week.

Cwm Nash

Cwm Nash

Cow Parsley

 

 

 

Josef Herman Schools Award 2014 Exhibition

The Josef Herman Schools Award is an annual project hosted by the Josef Herman Art Foundation Cymru which employs different artists each year to work with four South Wales primary schools. This year the Foundation is working with the Tate on a two-year project called Mining Josef Herman; part of a Transforming Tate Britain: Archives and Access programme.

The children enjoyed a promenade performance by Lighthouse Theatre followed by a series of drawing workshops with me in school and in Ystradgynlais, where Herman lived for 11 years. We worked with iPads and traditional drawing materials.

The children researched selected works by Herman provided by the Tate Gallery, London, and made presentations which were recorded on iPads. The exhibition features a selection of their drawing on paper and two TV screens showing both their presentations and animations of the iPad drawings they produced. The exhibition is at The Welfare in Ystradgynlais and will continue until mid September.

Josef Herman schools award exhibition

Josef Herman schools award exhibition

Josef Herman schools award exhibition

Josef Herman schools award exhibition

Josef Herman schools award exhibition

Josef Herman project logos

Looking Seeing Drawing

I am currently working on two drawing based projects. The first is the Josef Herman Art Foundation Cymru Schools Award Project 2014. The focus of my part in this project, apart from Josef Herman, is drawing – more specifically, drawing and digital media (iPads). See below for examples on video from this project.

The second is a research project run by Cathy Treadaway with CARIAD at Cardiff Metroplitan University – Centre for Applied Research in Inclusive Arts and Design.

Both projects fit well with my approach to drawing. Drawing is about looking and understanding. By observing the things around us (or within ourselves) and transferring that observation to the drawing medium, we can understand and appreciate more of what we observe. For this to happen we must look, look and see. The more we look, the more we see, the better we understand. The deeper our understanding of the world around us, in my view, the closer we come to balance within that world.

Our understanding of drawing has widened in recent decades. The traditional techniques of pencil or charcoal on paper (amongst others) have been augmented. My own drawing used often to be charcoal on paper (a medium I love). These days I think of some of the work I do with wire and weave, as drawing – it is a way of working out ideas in my head that need a means of expression. The full expression, however, does not appear until a finished piece is produced. The “sketchbook” I took with me recently to Crickhowell, to show my tapestry workshop participants, was a table full of bits of weaving and wire, three dimensional trials and experiments – there was no paper.

When producing my StillWalks videos, the first step (most of the time) is to carry out a recce walk. I don’t take my cameras and only take photos on my iPhone. I think of this as drawing. It is my first sketch of the environment where, on production day, I will gather the content for the finished StillWalks video.

The digital medium element of the Josef Herman project is the iPad. All of the schools I am working with use iPads in their classrooms and so were familiar with them. They were less familiar with using them for drawing. However, David Hockney, through the use of his iPad, has shown the world a good example of the widening array of methods to record our observations and express our imagination and understanding.

Below are some examples of drawing by 9 and 10 year old children based on Josef Herman’s work. The children modelled as figures from Herman’s works and drew each other on both paper and iPads.

Josef Herman Schools Award Project 2014

Art education is wide ranging and there are many different approaches to it, but at its core is learning to see. The primary and most effective way to learn to see is to draw. This, surely, must be at the beginning of every artist’s career – i.e. the moment, as children, we pick up a pencil, crayon, brush and make a mark with it.

Last week I was working with the Josef Herman Art Foundation Cymru on their 2014 Schools Award project. Following a tour of Ystradgynlais with Josef (1911 – 2000) played by actor Adrian Metcalfe and the “Clerk to the District Council” played by Sonia Beck, both from Lighthouse Theatre in Swansea, we ran workshops in drawing. We viewed the Foundation’s collection of Herman’s works in “The Welfare” and referenced a set of images provided by the Tate Museum for our drawing. We used both traditional drawing materials (pencil and charcoal on paper) and iPads. Sketchbook Pro has the facility to record the drawing you do on the iPad and you can see a couple of examples from the children at the bottom of this post.

Sonia invited us all back to the year 1954 when Josef Herman lived and worked in Ystradgynlais (for 11 years). She and Adrian did an excellent job of drawing us into believing that they were the real people which confused some of the children as they knew that he had died in 2000!

Adrian Metcalf as Josef Herman

Adrian Metcalf and Sonja Beck

Ystradgynlais

Looking Josef Herman artworks

Drawing workshop

Crowd Funding – Sights and Sounds of the Countryside

StillWalks Sights and Sounds of the Countryside Project – Crowd Funding

The StillWalks Crowdfunder pitch for outstanding funding towards the Sights and Sounds of the Countryside project is now live and looking for sponsors / investors.

This is a brilliant project that I hope, in future, to replicate with many other schools and communities.

Only £10 – Invest anything from as little as £10 and get a reward for your support.

Please take a look at the Crowdfunder pitch and help me promote the project and pitch by passing on this publicity to your network of contacts and friends.

I have personally guaranteed to cover this shortfall if the funds cannot be raised as I feel the project is so important not only to the schools and groups taking part but also to StillWalks and its development to say nothing of our natural environment.

All or Nothing – All the funds required through the Crowdfunder pitch must be raised if anything at all is to go towards the shortfall in the project funding. If the target is not reached in the time allowed (30 days), then you pay nothing and my guarantee comes into play.

All details of the project are on the pitch.

Production Day

Production Day