Looking at and photographing Brynmill Park on my walk this week was a most interesting challenge. While my walk had started in sunlight, by the time the walking forum meeting I was there to attend finished, the light was fading fast and making for an increasingly dark park.
So none of these images are under-exposed – it was dark, but not so much so that my surroundings could not be seen. The complexity of form was flattened as the intricacy ofContinue reading→
I photographed Oxwich beach at the start of my walk this week. The shape may be a little less obvious in the shot below but it still reveals a bottleneck form. If from this angle the shape is a bottleneck, then the third image in the sequence below could only be described as a wedge. The shape seemed obvious to me and is the reason for taking the photo but I wanted to emphasise it more and experimented with the contrast in monochrome.
Having enjoyed the overexposed beach image I posted from the previous Taste of Gower walk at Llanmadoc, I increased the exposure on the last photo below as well. With almost no reference points in the image, what is real becomes abstract.
Exposed as I was to the weather on my walk at Southgate, I again used less exposure in these shots of the cliffs at Three Cliffs Bay on South Gower than was technically correct. However, as on previous occasions, this was deliberate and the result is definitely more realistic in terms of how it felt than if I had used the correct exposure. The result is quite Gothic in atmosphere.
I don’t know if photographic exposure is a thorny issue for anyone but speaking more literally, the subject of this first image is definitely thorny!
These images may seem under exposed but if they are slightly dark, that is because it was a very dark day for our Taste of Gower walk at Southgate on the Gower Peninsula. Personally I would describe the walk as exhilarating but I accept that it would not suit everyone. There was still colour to be seen on such a dark day – the Whin (or Gorse if you prefer) and the fungi to be found in the grass was a welcome break to the slate grey of the clouds and sea.
The bright sunlight on Rhosilli beach seemed to bleach the sand. Originally I darkened these photos as I thought they were over exposed, but although they were made clearer by doing so, they also became less representative of the glare on this part of the beach.
Sunlight has different qualities according to the current atmospheric conditions. I cannot tell you in scientific or meteorological terms what was going on in the atmosphere on this day but I can try to present something of the quality of light that at times was almost blinding
The dawn walk I have been posting about this week took me through woods I have often posted about on this blog. Unlike yesterday’s underexposed images this first photo is much more like the reality of the place. The second, however, is again underexposed – the effect of the morning sunlight and shade of the trees on the footpath highlighted the forms and patterns of the leaves and the warmth of colour from the just risen sun produced a real sense of the place at that time.
I don’t think this can be described as an event horizon, but it is definitely an event taking place on the horizon! Of course the actual light in the sky at this point (as in the previous post) is greater than is shown here but the photographs being somewhat underexposed represent more accurately the sense of drama, the emotion of the event as it happens in real life.
The horizon is that of Cefn Drum, one side of Cwmdulais, the small river valley just to the east and a tributary of the river Loughor. Cefn Drum and its neighbour Graig Fawr are two more walks I would count among my favourites in this area.
The patterns in the water flowing down the steel monolith structure in Cardiff Bay look like they could be parts of an abstract jigsaw. The slow exposure shot below was not an easy one to get as I didn’t have a tripod with me. I did my best though and like the combination of textures and the patterns that show up as a result of the (apparently) faster flowing water.
It was a pretty grey day last week when I visited Windsor. I found that my photography was best handled in full manual mode rather than relying on any of the semi-automatic options.
Having experimented with exposure, shutter speed and iso and found a reasonable compromise, the rest of my photography needed fewer adjustments as the weather remained miserable (if not actually raining) for the whole visit.
The photos below of Queen Victoria were deliberately over and under-exposed as I liked the appearance of her profile against the sky, which as you can see in the second shot, was not exactly bright. Having said this, I think the second shot is my favourite! Which is yours?
My day to day photography is often done using my iPhone and lately I have been experimenting with one or two different camera apps. The set of images below were taken using Slow Shutter Cam which, if you can be sure to keep the phone steady is nifty little app.
The problem with long exposures being used to achieve that misty / ghostly effect or smoothness in flowing water, is that everything else gets the same length of exposure. There are various ways of dealing with this but the Slow Shutter app simply uses thevideo setting on the phone camera rather than the stills setting. It is, however, a still image that is saved.
It is a clever answer to the exposure issue and there are options to take images up to the full resolution of the camera (8 megapixels). I have had a few issues with the handling of colour which can be seen above but I suspect this is something that I will be able to manage better with time and practice. These images have had some post production adjustments applied but the main issue in taking them was that I did not have a tripod with me and had to rely on keeping the camera steady with the aid of the railings round the fountains.
The fountains are in the centre of Middlesbrough in the NE of England which is, according to some, one of the ugliest towns in Britain – I disagree and suggest they take another look, this time with their eyes open and no prejudicial blinkers!