I am not a motorcyclist but there is something about the aesthetics of motorbikes that has appeal – or perhaps it is the romantic notion of “riding into the sun”. The bright green of this Kawasaki does not have the same appeal as the shiny red of the Ducati in yesterday’s post but it is still, somehow, a fitting colour for the machine.
Black and white / monochrome? You might expect these images to have been produced in monochrome but in fact the last one is the only one that I felt merited the change from colour.
I like the subtleness of the colour in the first two and although I tried the third in B&W and made the necessary adjustments, I found the blue at the bottom of that tyre well to be just right along with the a-concentric curves of the layered rubber.
All images taken on my iPhone with ProCamera.
Earlier this week I posted the images on the left of those below straight from my iPhone without any post-production adjustments. I hope you will agree with me that the adjusted versions are an improvement.
The photos were taken pretty much as snapshots. I did not spend any time in setting up the shots and next to no time looking at different angles or alternative compositions. The best work you’ll ever do in post-production will always be with those images that need least doing to them. It is useful, however, to be able to make some improvements to shots taken on the fly.
The photos were taken with the iPhone app ProCamera. Initial adjustments were made on the phone using the same app and further adjustments made in Adobe Lightroom followed by some sharpening and noise removal with Google’s Nik software.
My day to day photography is often done using my iPhone and lately I have been experimenting with one or two different camera apps. The set of images below were taken using Slow Shutter Cam which, if you can be sure to keep the phone steady is nifty little app.
The problem with long exposures being used to achieve that misty / ghostly effect or smoothness in flowing water, is that everything else gets the same length of exposure. There are various ways of dealing with this but the Slow Shutter app simply uses thevideo setting on the phone camera rather than the stills setting. It is, however, a still image that is saved.
It is a clever answer to the exposure issue and there are options to take images up to the full resolution of the camera (8 megapixels). I have had a few issues with the handling of colour which can be seen above but I suspect this is something that I will be able to manage better with time and practice. These images have had some post production adjustments applied but the main issue in taking them was that I did not have a tripod with me and had to rely on keeping the camera steady with the aid of the railings round the fountains.
The fountains are in the centre of Middlesbrough in the NE of England which is, according to some, one of the ugliest towns in Britain – I disagree and suggest they take another look, this time with their eyes open and no prejudicial blinkers!
Yesterday we felt the last remaining vestiges of Hurricane Bertha in the form of a brief sandblasting on the Millennium Park footpath on the seafront at Llanelli.
We were not long out of the car before we changed our minds about a place to go for a walk and headed for the woodland walk up to the reservoir in Swiss Valley instead.
The sand being blown off the beach felt like needles on the skin and although it wasn’t raining at the time, the locals clearly knew not to venture on the seafront when the wind is up as the place was empty of people. Swiss Valley on the other hand was relatively busy!
My second surprise find in the old burnt out abandoned building I found while crossing a field on a recent evening walk were these old cars. I have some enquiries to make in order to find out what the car is. I thought about an MG Midget and a friend suggested a Sunbeam but if anyone out there recognises it as something else, please let me know in the comments.
Here is a view of a place I have not seen from this angle before – looking over Hendy from one of my evening walks. I have done the walk many times but never ventured quite so far into the field on the hill. The 11 arched railway bridge over the River Loughor can be seen from other vantage points but none of them have the same green landscape in the foreground – buildings and telegraph lines tend to get in the way.
Snapped on my iPhone, I made the mistake of zooming in – just slightly, but it was still a mistake. Always crop afterwards if need be, but don’t use the zoom function as it is digital, not optical and the effect is a blurred image. I’ve done my best with it.
I did not use the zoom function in the close up of a thistle in the field – I didn’t need to. There were loads of them, the tallest I have seen!