I saved the images below from those I took recently while away visiting family. I used my iPhone for all my photography while away and posted images to Instagram.
I wanted to post these images here because, despite my familiarity with the design of MIMA and the obvious link in the arrangement of shapes in the interior around the cafe area, the illusion that is created by this arrangement when seen from a specific angle did not properly register with me until I looked back at the photos.
When working on the recently posted StillWalks video, “Breakers Walk”, I was asked not to do a recce walk. The photos below, of the cliffs and rock layers of the South Wales coast, are perhaps some I might have taken had I done that recce.
I took these shots on the the recent “Walk and Draw” day described in the previous post in which I posed some questions including “what are the disadvantages of not recording observations?”
I am sure that if I had done that recce, the StillWalks video I produced would have been different – whether or not it would have been better is another question entirely. The disadvantage of not having done a recce was that there was more time required in post-production than there would have been. This was due to not having some of the photos I might have taken and, more importantly, not having as much sound recorded – more thorough field recording would have been helpful when laying this in with the image sequence.
Following the production walk for the “Breakers Walk” StillWalks video (see yesterday’s post), I recently spent a day with three of the other artists involved in the research project “Walk and Draw for Health and Wellbeing”. The project, led by Cathy Treadaway from CARIAD, involved us on this occasion, all going for a walk through Cwm Nash woods down to the seashore and the cliffs on the South Wales coast and spending some time drawing.
I took a small sketchbook and an iPad. I have been working with drawing and iPads on the recent Josef Herman Art Foundation Schools Award project for 2014 and wanted to continue with my assessment of the iPad as another instrument for drawing. I have not reached a clear conclusion about this medium yet, other than to say it is quite different to other methods of recording observation.
The one thing the iPad has in common with all visual recording methods is that you still have to look. You can, of course, use the iPad camera to take a photo and then use that image to “trace” aspects of the subject but, to my mind, with that approach you lose the advantages gained in looking . . . or do you? After all, observation has to be used in order to decide on the photograph to be taken and that is an essential element of StillWalks.
What are the advantages of visually recording observations? What are advantages of the different methods of visually recording observations? And what are the disadvantages of not recording observations?
More thoughts on this to come . . .
This past week I have been showing a taster of this new StillWalks video. Now, here is the video itself. Please watch and if you can, use the expand button in the corner of the video to watch it full screen.
The video is nine minutes long, which is longer than many other StillWalks videos, but I hope that you will appreciate the reasoning for this and enjoy its full length. Comments are welcome.
The video was produced as part of a research project with Dr Cathy Treadaway for CARIAD at Cardiff Metropolitan University.
The stony beach at Cwm Nash on the Bristol Channel coast of South Wales is made up of some pretty large stones – it is not shingle! This makes it difficult to walk, but perhaps there is some compensation for this in the amazing flat rock strata at the foot of the cliffs.
To see these you will have to watch the new StillWalks video, “Breakers Walk”, which will be available to view on Saturday. The sights and sounds of the woodland and waves ar, as ever, unique to the time ad place they were recorded.
During our walk through Cwm Nash woodland, I spotted what looked like the entrance to a tunnel. It clearly wasn’t, but the growth pattern and arrangement of the trees growing at the side of the footpath appeared shortly before an actual tree tunnel that would take us out of the woods and towards the sea.
