Meet the Artists at Ludlow Assembly Rooms this afternoon from 3.30 – 7.30 pm.
All are welcome, no charge, free wine and a chance to meet us, Alastair Duncan and Jean Duncan, and ask about our work. There is tapestry weaving, digital prints, painting on metal and canvas, photography, video and video interventions.
The show continues until 26th October and can be viewed during normal Ludlow Assembly Rooms opening hours which includes evenings.
StillWalks Sights and Sounds of the Countryside Project – Crowd Funding
The StillWalks Crowdfunder pitch for outstanding funding towards the Sights and Sounds of the Countryside project is now live and looking for sponsors / investors.
This is a brilliant project that I hope, in future, to replicate with many other schools and communities.
Only £10 – Invest anything from as little as £10 and get a reward for your support.
Please take a look at the Crowdfunder pitch and help me promote the project and pitch by passing on this publicity to your network of contacts and friends.
I have personally guaranteed to cover this shortfall if the funds cannot be raised as I feel the project is so important not only to the schools and groups taking part but also to StillWalks and its development to say nothing of our natural environment.
All or Nothing – All the funds required through the Crowdfunder pitch must be raised if anything at all is to go towards the shortfall in the project funding. If the target is not reached in the time allowed (30 days), then you pay nothing and my guarantee comes into play.
“Brilliant” “The very best schools project ever!”, Betty Rae Watkins (Josef Herman Art Foundation Cymru).
The “Walking with Josef Herman” DVD, made with Alastair Duncan and StillWalks is to be screened on the BBC Big Screen in Castle Gardens, Swansea next week (see invitation below). The videos produced on the project (see below) are what I would describe as bespoke StillWalks – bespoke because they use voiceovers. These are recordings of the school children reading the poetry they wrote with Emily Hinshelwood as a part of the project following our production day on location in Ystradgynlais. The project was the ninth annual artists’ residency organised by the Josef Herman Art Foundation Cymru and Caron McColl and Lynne Bebb from Swansea Arts in Education, part of Swansea Education Effectiveness Service.
At the weekend I was busy again, this time with StillWalks Equestrian. Earlier this year I was asked if I would be interested in doing the photography for Clydach Riding Club and, what with nothing better to do at the weekends (ha, ha), I ventured on down to their new show field at Ynystawe.
I don’t have the best camera for this kind of work as the photography I do for StillWalks does not involve that many fast moving objects. However, I manage well enough and enjoy watching the events. Having watched my daughter riding for many years, it is very useful to have an understanding of what is going on. This also allowed me to appreciate the equestrian Olympic events that much more than I have in the past.
Here are some alternative shots from the weekend. The event photos can be seen here.
StillWalks-Equestrian is a new website and service born from the interest taken in my photography for the production of StillWalks.
Ready and Waiting
Relaxing virtual walks for horses? – No 🙂 Maybe there will be some StillWalks made for horse riders in the future but they might require me to take along step ladders on production day in order to get the same sort of view point as the riders. In fact, many existing StillWalks routes have had evidence of horses along the way.
The sound of the show – One of the aspects of StillWalks I enjoy the most is sound recording. As yet, I have only done this at one show and I have not published the StillWalk produced. I look forward to the next opportunity as the sounds at a horse event are so distinctive. Here is a clip from the unpublished Bont Show Walk – remember, you’ll need to go to the blog to see (and hear) this clip.
Last week’s production day on Ryer’s Down on the Gower in South Wales was a challenge. The weather suggests that the StillWalk to be produced will be “A Misty Gower Walk”. Fortunately, rain covers were not needed for the cameras but I was glad to have the waterproof case for the recorder.
I had all the sound and photography kit with me and alternated between them throughout the walk. This still meant that, for a relatively short walk, I was out recording and taking photos for 6.5 hours.
All this plus a small collapsible stool (essential piece of kit), food, water, spare batteries, filters, etc. all in a great Lowepro kit bag, meant I was pretty weighed down. The trick is to be patient, take your time and not try to fit too much into the day. The recce walks are essential to ensure this can be achieved.
The mist never lifted as I had hoped it would, and the day was not as peaceful as on the previous recce visit when the Skylarks sang for us and traffic was non existent. Instead, normal farm life was ever present with the sound of tractors and other farm equipment in the distance. The Larks, however, sang through it all and their sound was as beautiful as ever.
Virtual Walks – I hope, with StillWalks, to provide realistic virtual walks. We don’t always want to wait until a beautiful Spring day to go for a walk and sometimes the sights and sounds around us are not what we would wish. However, these things don’t stop us, and wherever or whenever we decide to go for a walk, there are always a multitude of fascinating things to see and hear. Producing StillWalks helps me to recognize and focus on these things and enjoy the surroundings wherever I may be. I hope that they do this for you as well.
Technical Problems – During the Ryer’s Down production day I came up with a problem on the Fostex recorder and had to temporarily revert to the Edirol. I can only guess that the problem was electrical interference of some sort. The problem is illustrated in the sound clip and image below. I tried switching my phone to airplane mode and then off altogether but to no avail. I checked all my settings in case I had inadvertently knocked something but found everything as it should be.
Fortunately, I was able to use the Edirol instead – it’s not as good but very useful as a back up recorder. The problem, however, was temporary as, when I tried the Fostex again about 15 minutes later and another 100 yards further on, there was no problem at all and I was able to continue using it for the rest of the day.
Spectral Display – When viewing the sound files afterwards I find the spectral display a valuable element in Adobe Audition when it comes to identifying various aspects of the sounds I record. The image above shows the pattern created by the sound of what I guessed was electrical interference – the bright, gentle curve of the sound at the higher frequency is inaudible to the human ear but the broader curve downwards into the lower frequencies and then up again is easily seen and heard.
Skylark Song – The image below shows the pattern revealed through spectral display in Audition by a Skylark – and, of course, you must listen to the 10 second clip to which the image relates – enjoy 🙂
Ryers Down Lark Spectral Display
More to come in the future about both the production and post-production element of StillWalks.