Proportional Representation – Two Views

I don’t know what proportion (if any) of the people of Mumbles would go for proportional representation if it were available in the forthcoming May election in the UK. Disregarding politics, below is another take (or two) on the term that is more akin to  cropping in photography.

It was a dreary day when I took these photos but, for me, that is no reason not to take them. The range of textures in the scene is what interests me most, from the finer grain of the concrete in the sea wall to the lumpy rocks and stones on the foreshore, to the fuzzy grey textures of the trees on the hill. All of this interspersed with the softer green moss on the wall and the sand separating the stones on the beach. And then there are the patterns and colours of buildings and people stretched across the centre of the frame.

At least it wasn’t raining!

Mumbles Promenade

Mumbles Sea Wall

Proportion, Perspective and Atmosphere

Talking about images rather than roads, it is up to you whether or not you stick to the “rules”, but it is so often said that “rules are made to be broken”, it is almost a rule in itself that you shouldn’t stick to them!

I have used the “rule” of thirds (approximately) in the first two images below and each presents to me a different atmosphere and perspective. My personal preference is for the second shot but “to each his own”. Do you have a preference?

The “thirds” rule is broken in the third shot but the focus is on (or at least my attention was drawn to) the arc of a dog’s paw prints across the beach. I hope I have managed to frame the shot successfully. The eye follows the arc of prints and is brought neatly to a stop with the change in direction of the horizontal structure on the beach and the punctuation mark of the man – who presumably owns the invisible dog! The small proportion of land and sky simply to give the scene some geographical context.

Swansea Beach

Swansea Beach

Swansea Beach