Continuing my exploration of the venue of the StillWalks exhibition for the Sights and Sounds of the Countryside project, here are some more shots of aspects and objects in the room other than the exhibition itself.
As with the photos in my last couple of posts, most of these photos are full colour – but not all! So, which ones are black and white?
The full project exhibition for the StillWalks project “Sights and Sounds of the Countryside” is now set up in the Mechanics Institute, Pontarddulais, and we are just waiting for the official opening on Wednesday 3rd July.
In the meantime, as well as the carnival photographs I took yesterday, I have been getting one or two extra shots including these from the exhibition room on the top floor.
Temenos by Anish Kapoor was erected in Middlesbrough about three years ago and I have been meaning to go take a look at it since then. As with Claes Oldenburg’s Bottle of Notes in yesterday’s post, there have been many photographs taken of this work of art – but these are mine!
It is an impressive structure which has the effect, as it should, of highlighting the sculptural appearance of many of the industrial structures around it (more of those tomorrow). In the background is Middlesbrough’s Transporter Bridge.
These graves look like they have an excellent view of the event – whatever that may be! They make me think of a concert in the park where everyone brings a picnic and enjoys the event from deck chairs. In Britain they would have brought umbrellas as well 🙂
Cathays Cemetery in Cardiff has many aspects to it.
Some hide away
Some prefer to be more private and hide away amongst the greenery.
This cemetery has it all, even a “downtown” area with sky scrapers!
Bishop John Cuthbert Hedley was quite a guy if you judge by the stature of his tomb in Cathays Cemetery. I wonder if he would get such a piece of architecture these days? (see Monday’s post, “When was the last time . . . “)
Taking an aimless walk on a sunny Sunday last weekend, I ended up at our local station where the patterns, colours and perspective of the track prompted me to use my camera – which I had casually taken along with me . . . just in case!
Ferris wheels seem to pop up in every UK city on regular basis. The first one is in York but the second shot was taken on Boxing Day in Belfast a few years ago and the third in Swansea in 2012.
These are the last shots from my recce walk in York last February and the subject matter is not likely to feature in the final StillWalk video which I am working on now. First of all, the ferris wheel was not there in June when I did the production day, and secondly, it wasn’t on my walk route anyway – neither was the windmill, I just liked the structure.
The windmill is Holgate Windmill and it was strange and unexpected to see it suddenly appear through the trees and amongst the surrounding house roofs.
I have featured the underside of bridges before (here) – this is Bishopsgate Bridge in York again. The patterns created by the structure of different bridges are fascinating and this one is totally different to those in that previous blog post.
We are a week into 2013 now so a belated Happy New Year to all.
Whilst away over the New Year I took a few photos that I hope to use in the near future. They help to show that if we were not around anymore, it would not take long for nature to recover from our antics on this planet. Sometimes (in late Spring usually) I think I’d only have to blink and the bushes and trees would pounce – these images are, perhaps, preparation for that pounce!
Speaking of what we do as humans, some of what has been produced can be seen at MIMA, Middlesbrough Institute of Modern Art, where I saw two great exhibitions – Jannis Kounellis’ Work Unwrapped and Liliane Lijn: Cosmic Dramas – both well worth a visit if you are in the area.