The first photo in this post has its monochrome twin posted on today’s “Monochrome Madness” post by Leanne Cole Photography.
The first photo in this post has its monochrome twin posted on today’s “Monochrome Madness” post by Leanne Cole Photography.
Last weekend I went on a art walk with Sarah Abbott from the Mission Gallery in Swansea. We went down to the dunes at the eastern end of Swansea Bay with sketch books and cameras, etc.
Sometimes the places you know best are those that are hardest to “see”. I have done a fair amount of photography in the bay but I have not produced a StillWalks video there. Taking a look at a place with someone else can be helpful in that the interaction of perception can prompt a fresh way of seeing the familiar.
Kilvey Hill is a large (3 square kilometres) urban woodland in Swansea, South Wales. The hill is surrounded on all sides by housing, industry and businesses and its top is, of course, a perfect site for TV transmitters, mobile phone masts, etc.
It is also a great place for wildlife and plants like bog cotton and blueberries and I understand there are hares to be seen if you are patient enough to wait for them.
There are fantastic views in all directions and here, today, is a taster. I will be putting more up later in the week or you can visit the StillWalks Photography website to view them all now.
Next to the Anish Kapoor sculpture, “Tenemos” (featured in yesterday’s post), are other “sculptures” which, although functional in their design, are fascinating and attractive in their own way.
The textures, colours and patterns of paint and rust are further enhanced by their juxtaposition with Kapoor’s work. And that, of course, is a part of the purpose of art – to help us see, understand and appreciate what is around us.
I wonder what it is like inside that crane?!