It’s the combination of lines and textures I like about my choice of image at the head of today’s post about my walk at Pagham on the south coast of England. The photo has been cropped a bit to help provide a better sense of the scene and it is the undulations of the boardwalk as it spans the shingle of the foreshore that initially attracted my eye. Continue reading→
Not so much ignoring the signs as cropping them out – all these photos required me to either choose an angle or make a crop that avoided the inevitable street signs for restricted parking, no entry, and restricted access. I couldn’t avoid the cars and I didn’t want to avoid the peeling paint of the gable end brick wall to this building of formal design that is typical of this part of Hereford City centre.
I like the patterns, colours and textures of the wall at least as much as I do the flower displays.
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Without clicking on the landscape version of this image, I find I have a preference for the portrait crop. However, that is partly because it is easy to see the dimples created by the surface tension between the water and the pine needles and in the second image that is the most important aspect of the shot. The first image composition or crop includes more space which changes my perception to one more focused on the reflected depth of the sky.
The marsh water beside the lake at Llyn Llech Owain in Carmarthenshire, Wales, was almost like glass when this shot was taken. The reflection of grass and clouds in its surface is only distorted by the slightest of movements on a cold Winter day.
Do you have a preference for the landscape or portrait crop?
Which structure to focus on? That was the question for me with this view over the lake at Llyn Llech Owain in Carmarthenshire. The portrait view could only include one tower. My choice was less about the scale of the architecture and more about the fact that the larger structure was partly hidden by the small trees in the middle distance. With the lake being partly hidden by the trees, there seems to me to be a greater sense of mystery about the scene.