I started my walk this week with a post of 360 degree views of Swansea Bay at Crymlyn Burrows. Now after getting excited about so many of the patterns and forms in the sand on this expansive beach, I have come full circle. Back in front of the Bay Campus of Swansea University the view is as good as ever but after all the subtleties of sand I was surprised by the glare of contrasting colour in front of the Great Hall on the campus. The grass was new and the paint on the tables was new too!
Mumbles Across the Bay
Contrasting colour
Virtually all sound from the city and the motorway was being blown inland by a light breeze on this peaceful morning walk and the sound of distant birds and people along with my footsteps on the sand is most of what makes up this calm soundscape.
Crymlyn Burrows Beach Soundscape
If viewing this in an email, please click the post title to see other photos in this post, thank you.
Reviewing my walk this week I realise that the railway line running across this bridge separates not only the beach from the town, but also something of the wind as well. The beach at Colwyn Bay in North Wales is a wide open expanse across which the wind can blow unimpeded until it reaches the railway embankment above the promenade. However, this barrier does not run the full length of the bay by any means and so I imagine, like Swansea’s seafront in the south of the country, the sand gets blown far into the streets nearby.
The soundscape below illustrates the point at which the wind starts blowing – just as I cross the road to the promenade at the pedestrian crossing. My favourite sound in this soundscape is towards the end – the rhythmic rattle of metal on metal in the wind before I return to the road.
Leaving the beach
Colwyn Bay Soundscape
If viewing this in an email, please click the post title to see other photos in this post, thank you.
The wind on my walk this week on the beach at Colwyn Bay had been going to town (so to speak and literally!) when it comes to creating patterns. Not just the wind of course – its take the combination of wind and sea to create these particular patterns. In the first image they appear to have been brushing each others hair while in the second there has been more apparent friction with the sand ripples developing a multitude of blisters
This was a first for me – viewing the railway into Swansea from underneath. For some reason it had not occurred to me that the Tawe riverside footpath would, at this location, inevitably pass under the railway.
There is something fascinating, even exciting, about the combination of natural and man made – wood, leaf, concrete and iron – the different (and similar) scales has as much to do with my fascination as the juxtaposed materials and textures.
The reflection of the bridge in the waters of the river below provides a link between the hard functional materials of its construction and the more natural woodland lining the river.
Both the railway and the footpath were in use on this Sunday morning with plenty of walkers, joggers, children and dogs enjoying the woodland. However, I didn’t either see or hear a train during my walk.
Walking Conversations
If viewing this in an email, please click the post title to see other photos in this post, thank you.
Wattle fences are becoming common at Llys Nini Animal Centre.
One of the many woodland jobs carried out as part of Llys Nini Animal Centre woodland management is the building of wattle fences. The woodland is managed by Phil Morgan and it is he, along with an extensive team of adult volunteers and visiting school children, who create these wonderful pieces of weaving in the natural environment.
This abandoned section of wattle fencing I came across in one of the fields next to the woods, gave me some great subject matter for my photography. I love its unwinding form and apparent keenness to get back to the earth.
Still enjoying the short journey home over the hills from Felindre, the local Welsh landscape is beautiful and it’s got nothing to do with the current good weather, honest!
My work over the years has taken me all over South Wales and although this has meant a lot of driving, it has also given me the opportunity to see different aspects of the landscape in all sorts of conditions. Whether it is local or more distant, you have to be there to really appreciate it. Photography can do only so much. Artists can capture moods of a scene with which you can best identify if you have been there or somewhere like it.
I do not describe the photography I do as landscape photography. Although much of it involves the landscape, the photography I do for StillWalks, I describe as environmental – natural and man-made. If you google landscape photography, you will be presented with any amount of spectacular photographs produced by a range of more or less well known photographers who have done all the “right” things in terms of framing the shot and finding the right angle, waiting for the light, etc.
Some of the scenes from around the world (both near and far) are truly amazing . . . yes, there is a but coming . . . but, some of the shots I see seem to me to be almost unreal or super-real, a bit like photo-realism in painting – it’s almost beyond belief. It seems as though there is no texture in the scenes and texture is something I am interested in, no doubt due to my other life as a tapestry weaver. It may be that in these textureless images, there has been some over-use of pixel smoothing techniques but I know of one photographer who does not make this mistake, if it can be called that.
Victor Rakmil is a photographer whose work I greatly admire and he writes an excellent blog much of which I would entirely agree with and learn from regarding technique. Take a look to see the texture that remains in his landscape scenes as well as the other photographic genres he covers.
I took the shots below on my way home over some of the lower lying Welsh hills. It was a hot a hazy day and for me, give a true (photographic) representation of the landscape as it was at that time in those conditions. Tomorrow I’ll have some more!
