My walk this week is from Swansea Bay and Maritime Quarter and, yet again, followed meetings, one of which was on my phone as I stood at the side of the marina and watched the still water reflecting the yacht masts and a blue sky with just one or two white clouds.
As I stood there the reflections were almost as straight as the masts themselves as the water was so still. Later on, after visiting the beach and listing to the rhythm of the waves, I returned to find the marina water rippled with activityContinue reading→
Wear and tear is all around us all the time and at the turning point of my walk this week along the beach in Swansea Bay, the high, rusty sea wall that creates the harbour entrance is one of my favourite pieces of evidence of this.
This is the missing post from last week, the third of the posts for My Walk this Week 131 – I don’t know what happened but have just seen that the schedule time was missed!
And the sea is one of the most powerful elements of erosion, wear and tear on the edges of landscape and it is so persistent and rhythmical in its insistence. Even on calm, bright days like this,Continue reading→
Back near the start of my walk this week in York, I came out of the trees towards the urban landscape. Having enjoyed my walk along the banks of the River Ouse, albeit a wet one, I felt that this and one or two other shots along my way deserved a monochrome treatment.
I am not sure of my reasoning for producing them as black and white images, they just seemed to work better for me in this format. You can see them along with selected colour shots from my walk below as well as my soundscape for the walk and a video clip of the rowers I passed first on my way into town and then again on my way back.
A few weeks ago I took a tapestry weaving workshop over the weekend for the Crickhowell Guild of Spinners, Weavers and Dyers. They had asked me if I could do a version of my workshop “Sounding out Colour and Texture”.
The workshop focus was sound and the intention was to help everyone to develop ideas for tapestry weaving by using a medium that may not have occurred to them previously. It wasn’t going to be possible in the time allowed to produce finished tapestries but we were able to experiment with different techniques and materials as a means of interpreting different aspects of sound.
The language used in describing sound relates very well to the language used in the visual arts and crafts. I am not talking of the technical terms connected to audio and tapestry weaving, but rather the interpretive, emotional terms used. Colour and texture, rhythm and melody.
We often hear the term “the tapestry of life” – the wide range of techniques and materials it is possible to use within tapestry weaving make it possible to represent any number of aspects of our emotional and physical lives and sound can be an excellent starting point for exploring those possibilities.
In these workshops I would also ask people to close their eyes and imagine what colour a sound might be or what it would feel like in their hands if they could grab a hold of it. The sound editing program I use, Adobe Audition, can show us the wave form of the sound and it can show us the “shape” of the sound in the spectral display, but it cannot tell us its texture and the colour it shows is only that selected by the user in the program’s preferences.
This is where the imagination comes in and helps us to develop the designs we may use to present an interpretation of a subject that could be said to have an extra dimension to it.
apart from looking at how different sounds appear visually on the spectral display of an editing program like Adobe Audition,