Barbara Hepworth - Hieroglyph detail

Sculpture in Leeds

We didn’t have a lot of time to stay in Leeds on my walk this week but I still managed to take in some of the current sculpture exhibition at the Leeds Art Gallery. One of my favourites was this piece by Barbara Hepworth from 1953.

Barbara Hepworth - Hieroglyph

Barbara Hepworth – Hieroglyph

The title of the work, “Hieroglyph”, prompts towards an interpretation of the piece I suppose but not knowing the title at the time of initially viewing it, I didn’t think of it as being a hieroglyph. However, its language spoke to me in terms of surface texture and pattern, form and I guess, humanity and nature. The shapes of the hollowed out areas seem figure-like and looking through them to the other side had an essence of intimacy about it. I wanted to touch and caress its cool warmth! If such a contradiction in terms can be accepted, it is the only term I can find to express my perception of the piece while expecting the stone surface to be cool to the touch.

The Richard Long installation left me cool, if not cold. The impact of the work may come again from the contradiction (or should I say juxtaposition?) of the arrangement of the natural material and the space it is in, but for me it felt somewhat contrived.

The work that had the greatest impact on me, though I cannot say it was a particularly positive one, was the alabaster figure holding a bird to her shoulder by Woman and Bird by John Skeaping. The material had a strange effect on me and looking back at the VR shot I took of the room (see below), I think it may have been the sense that I was able to see inside the body at the same time as seeing its surface – I found it a bit disturbing. Again with this piece there was an element of contradiction – the apparent textures of the stone revealed through its changes in colour, pattern and internal structure was in contrast to its worked smoothness and  again there was the warmth of colour but the knowledge that if touched it the sensation would be of cold or coolness.

As with my previous post, if you click the VR image below on an iPhone or Android phone with the Google Cardboard Camera app installed, you will be able to view the full 360º of the space in virtual reality. On the linked image on your phone select the “Save to app” button and then fit your phone to the Google Cardboard device.

Leeds-sculpture.vr

zig zag

Zig Zag and Twisted – Perspective, Steps and An Urban Soundscape

On this, the third side of my triangular urban walk this week, my main focus (or perspective) is on steps. It was a long set of scaffolding steps that I originally wanted to photograph and which turned into a walk round the block that revealed some other angular and twisted (spiral) steps. I was amused by the “floating” gate below which advertises the entrance to The Forge.

spiral steps

As someone who enjoys many different aspects of metal I couldn’t resist the first perspective shot below of the structure and pattern of shop front shutters, but as I turned the next corner I was also taken by the colour, repeating pattern and perspective of the short terrace across the street. I found other perspectives Continue reading

Canal Crossings

Canal Crossings and A Reeding List

The shapes and forms, colours and textures, light and shade of todays images from my walk this week along the Tennant Canal in Swansea, reflect both the weather conditions and the time of year. The various structures crossing the canal provided me with different views of the water and the reeds along the banks had thinned somewhat and reminded me of a list – a list of leaves or indeed, a reeding list!

Canal Containment

I love the “containment” of water reflections created by the shadows of the low railway bridge and the jigsaw of colourful stones mirrored by the canal’s still surface.Continue reading

City Street – Reviewing the Walk

One thing (several in fact) that was often in the background of my walk this week along a city centre street were the gulls. As previously mentioned, it was a bin collection day and the sea gulls were pretty active. Much of the time their calls were largely hidden by the other sounds of the street, but they are there.

gull

Street Walk Soundscape

Play the sound clip and look through the sequence of images at the same time. If you would like to hear more of the subtleties of any of my soundscapes, listen through headphone. Having said that, I always edit the soundscapes with the expectation that most people will listen without.

If viewing this in an email, please click the post title to see other photos in this post, thank you.

Choosing the View

They say about TV or radio, if you don’t like it, you can always switch it off or change the channel. Similarly, wherever we may be, we can choose what to take notice of, we can choose our view. That can be a challenge sometimes, especially if what is in front of you is a blank wall, but when out and about we tend to miss so much of what is around us and I am as guilty of this as the next person.

That’s OK! It means that when I do take notice of my surroundings, a simple walk down the street can become an adventure of discovery. I don’t mean that there are suddenly different or new things happening around me to what’s normal, I simply find I have more interest in the normal things. The shapes and patterns, the textures and colours . . . of the sounds as well as the sights.

monochrome railings

If viewing this in an email, please click the post title to see other photos in this post, thank you.

What I Like – Image Composition

When selecting images to post on this blog I try to pick photos that I like for a range of different reasons – composition, texture, pattern – perhaps most importantly, how well they depict my memory of the place they represent.

My main reason for choosing the images below is composition. In the first shot I particularly like the combined shapes of the light – the oblique oval of reflected light on the water of the canal and the quarter oval of light in the sky. The image, for me, is not so much about the reflection of land on water as the abstract shapes of light and dark, hence my rendering of the second image.

The composition of the last photo has nothing to do with manipulation. This was simply the way the reflection appeared with the apparent shape mask being created by the reflection of the wall and underside of a bridge over the canal. The shot was a little underexposed but this made for a more dynamic and abstract composition.

Complementary images are posted on Instagram through the week and can also be seen on the sidebar of the StillWalks blog.

Tennant Canal

Tennant Canal Composition

abstract reflection

 

 

Exit and Reviewing the Week 3

This apparently disused railway line is fact one of the entry and exit routes for deliveries to and from the steel processing plant I have been looking at all week – see the gallery below.

Railway line

railway plants