Josef Herman Schools Award Project 2014

Art education is wide ranging and there are many different approaches to it, but at its core is learning to see. The primary and most effective way to learn to see is to draw. This, surely, must be at the beginning of every artist’s career – i.e. the moment, as children, we pick up a pencil, crayon, brush and make a mark with it.

Last week I was working with the Josef Herman Art Foundation Cymru on their 2014 Schools Award project. Following a tour of Ystradgynlais with Josef (1911 – 2000) played by actor Adrian Metcalfe and the “Clerk to the District Council” played by Sonia Beck, both from Lighthouse Theatre in Swansea, we ran workshops in drawing. We viewed the Foundation’s collection of Herman’s works in “The Welfare” and referenced a set of images provided by the Tate Museum for our drawing. We used both traditional drawing materials (pencil and charcoal on paper) and iPads. Sketchbook Pro has the facility to record the drawing you do on the iPad and you can see a couple of examples from the children at the bottom of this post.

Sonia invited us all back to the year 1954 when Josef Herman lived and worked in Ystradgynlais (for 11 years). She and Adrian did an excellent job of drawing us into believing that they were the real people which confused some of the children as they knew that he had died in 2000!

Adrian Metcalf as Josef Herman

Adrian Metcalf and Sonja Beck

Ystradgynlais

Looking Josef Herman artworks

Drawing workshop

Filtered Out – Rain on Water

More images that didn’t quite make it into a recently produced StillWalks Autumn video fro Lower Lliw Reservoir near Swansea, Wales. More to follow through this week.

rain on water

leaves on water

Light is Everything – Calibration of Meridian Tower Swansea

Which of these three colour adjustments do you prefer?

I have photographed this building in Swansea on a number of occasions and every time, as you would expect, it is different. Whether it be the time of day, the angle viewed, the weather conditions or the camera settings, the appearance of the photos taken will always produce dramatically different images.

All of these things combined are what makes the difference of course. On this occasion the tower viewed from this angle in the early evening light of a semi overcast hazy day was what gave me this image.

However, there is one other point that can severely affect how you see an image – the calibration of your computer screen. The first image here is a compromise necessitated by the differences between my two ageing monitors which have become impossible to match in calibration.  I have become familiar with these monitors and am able to make adjustments to give me images I am happy with when seen on other people’s computers (most of the time). There are so many variables with this that I make a point of collaborating closely with the printer whenever I am not printing the image myself.

My final check for colour adjustment at the moment is my iPhone – if it look alright on that (colour wise), then the chances are it will look OK on other screens.

Meridian Tower

Meridian Tower

Meridian Tower

The Reflection and Deflection of Light

Concrete, glass and pebble dash – the outer materials of the Civic Centre building in Swansea. It is in a beautiful position on the seafront in Swansea bay and those working there may sometimes find the view somewhat distracting.

These are photos I have posted on Instagram recently and although, on this occasion, the quality of the photos leaves something to be desired, the images themselves are ones I find interesting – that’s why I took them I guess!

One reason for my interest is the effect the different surfaces have on the light that hits them. Whilst the the glass reflects the light and colour in a very direct way, the (originally) white surface of the walls deflects the direct sunlight from dazzling the eye too much because it has been textured with pebble dash. In the second shot the walls have also been given a vertical line pattern which further deflects the light.

Swansea Architecture

Swansea Architecture

Swansea Architecture

Architectural Patterns

Vertical, horizontal and diagonal lines, circles, squares, rectangles – these are the elements that make up the structures of so much, if not all architecture. Add in a bit of colour and some more angles and curves and the combinations of pattern are endless.

Symmetry seems sometimes to be a prerequisite in architectural design but it is when asymmetry is used that things get really exciting and no doubt, from the architects point of view, prohibitively expensive.

Personally, I don’t have a problem with the look of these buildings in Swansea’s maritime Quarter – there are plenty of those pattern combinations to be discovered. I do, however, think that it is a shame that imagination seems to come at a price.

Swansea Maritime Quarter

Swansea Maritime Quarter

Swansea Architecture – Salubrious Place

This silhouette shot of Salubrious Place could be mistaken for somewhere other than Swansea, but of course there are clues that might help to direct you towards Britain if not specifically Wales or Swansea.

Swansea Architecture

Salubrious Place