Now and Then – looking back on my work.

Sticking with the theme of conflict, this piece has, perhaps, become more personal again (see previous posts this week for context). The patterns from printed DNA are still there but the barbed wire is also becoming more personal. StillWalks development is not far off!

Woven from the back – as a tapestry artist, I have usually woven my designs from the front. Design development continues, for me, throughout the weaving process and working from the front obviously facilitated this. However, “Now and Then” had to be woven from behind and I think the reason is obvious – perhaps this piece, more than others, has indeed got my personal DNA within it!

This work is available for sale – anyone interested should contact me.

"Now and Then" - 78 x 69 x 20 cms

“Now and Then” – 78 x 69 x 20 cms

Now and Then - detail

“Now and Then” – detail

Conflicting Arguments

The theme of “Conflict” in my work began to broaden over the years. My two previous posts (Dialogue and The Conflict of Working with Metal) illustrated my work as it related to a specific situation, that of the troubles and peace talks in Northern Ireland at the turn of the  century.

The conflict in this piece is more personal and more general. The barbs still represent conflict but relate more now to the world stage rather than just Northern Ireland.

By now I have also become more interested in the physically contrasting  textures of the two materials, metal and wool, and how they interact. The pattern in the weave relates to the paper prints you sometimes see of DNA and it is this that relates to the personal element of conflict.

People often ask whether the barbs were inserted during the process of weaving or pushed through afterwards . . . it was the former. The barbs would significantly have damaged the weave if they had been inserted afterwards and, yes, there is blood as well as “sweat and tears” in this as well as other tapestries I have made. Don’t be concerned though, they were only minor scratches (for the most part) and a few rips in clothing!

This work is available for sale – anyone interested should contact me.

Conflicting Arguments

“Conflicting Arguments” 85 x 120 x 10 cms

Conflicting Arguments

“Conflicting Arguments” 85 x 120 x 10 cms

Conflicting Arguments

“Conflicting Arguments” – detail

Tufting and Textures

I used to use tufting in my tapestry weaving – the long tufts of wool would hang down over the surface of the weaving. Sometimes I would wrap them with bright, lustrous cotton.

The textures I have used in my more recent weaving are rather different! Barbed wire is often the main textural feature of my weaving and although the reason for using it lies in the theme of “conflict”, we see it in many places around us.

The photos I take for StillWalks are often informed by my interest in texture. The images below illustrate different kinds of tuft and barb to those I have used in my tapestries.

You can see my tapestries at Design Fibre ICT and the StillWalk these images are from in the Old Churchyard Walk.

Tufted

Tufted

wool and barbs

Wool and Barbs

Teasers 5 – A Network of Fibres

This is the final image from this short series and just about my favourite. This may be because of the weaving part of my life (see www. acmd.co.uk) and my enthusiasm for texture and fibre.

The image seems to loose some of its depth and become more a network of fibres on a more two dimensional plain, albeit with heavy texture. I’m not sure that the fact there is snow involved makes any difference either – the “fibres” would still be there without it, perhaps less defined by lower contrast.

I wrote “tangled fibres” originally but changed it to “network of fibres” because I realised that they are not tangled but have structure and direction, all feeding into the centre of the frame. I cannot say, now,  if this was coincidental or intentional – I suspect subconsciously intentional with my artist/weaver’s eye searching out the structures and patterns before taking the shot.

A Network of Fibres

A Network of Fibres

All’s Well in Ludlow

Despite the tension beforehand, all went well with our Meet the Artists event last Friday at Ludlow Assembly Rooms. It was well attended in the evening and it was good to talk with everyone.

Not only that, we also had a very pleasant stay in Ludlow at The Mount guest house and awoke the next morning to another beautiful day.

The exhibition runs until 26th October so there is still time to visit. Exhibition pics  some of Ludlow are below and more will be posted on Facebook over the next couple of weeks.

Finally, on another matter, please check out the StillWalks Crowd Funding pitch and help me help kids and adults enjoy “Sights and Sounds of the Countryside”.

StillWalks exhibition

StillWalks exhibition

StillWalks exhibition

StillWalks exhibition

Jean Duncan Paintings

Jean Duncan Paintings

Evening in Ludlow

Evening in Ludlow

Morning in Ludlow

Morning in Ludlow

Tension Mounting for Meet the Artists event

Last week I delivered my exhibition and my mother’s to Ludlow Assembly Rooms Alastair Duncan (tapestry, prints and StillWalks) and Jean Duncan (painting)

The weather was atrocious and I thought en route, “If I get a puncture, I’ve had it – I can’t unload everything from the car to get to the spare tyre when the weather is like this, it would all be ruined!” Fortunately this did not happen and by the time I reached Ludlow, the rain had dried up 🙂

Our Meet the Artists event has been arranged for 3.30 – 7.30 on Friday 12th October – that’s next week! Neither of us are known in the area and I am concerned that nobody is going to turn up, so the tension is mounting as with all events like this.

Other attractions – Aside from our exhibition, which of course is reason enough to visit Ludlow, there are other attractions as well. The comedian, Marcus Brigstocke, will be playing in the theatre after our event on 12th October and I think there are still some seats available. There are great places to stay overnight and the town itself is a very charming place.

So if your wondering what to do next weekend, that is the place to be. Finish early on Friday and book yourself a visit to Ludlow 🙂

Ludlow

Ludlow

Ludlow Assembly Rooms Arts Centre

Ludlow Assembly Rooms Arts Centre

 

Ludlow Exhibition

Ludlow Assembly Rooms – Not long ago I visited Ludlow for the first time. I needed to view Ludlow Assembly Rooms Arts Centre as I have been invited by them to exhibit both my media work with StillWalks (including my “Interventions“) and my work as a tapestry artist. The exhibition is short notice and so I asked if my mother, Jean Duncan, could exhibit alongside me.

Beautiful Market Town – Unfortunately it was a very wet day but that did not stop us seeing what a beautiful place it is. It was very lively on this particular Saturday as it was a market day and despite the rain, very busy. Ludlow is a great example of an old English market town on the Welsh border and we have driven through the area many times from choice rather than necessity.

I took a couple of pics on my phone and look forward to setting up our exhibition there from 5th – 27th October.

Ludlow

Ludlow

Ludlow

Ludlow

Ludlow Assembly Rooms Arts Centre

Ludlow Assembly Rooms Arts Centre

Travelling

It’s a while since I lasted posted anything, I know – please be patient with me, I am still getting up to par with all this. Anyway, things are moving, as have I – i.e. travelling. This latest sound clip (see below) is from a recent journey to London for a British Tapestry Group meeting. All did not go well! The meeting was OK – Hillu Liebelt gave a fascinating talk about her work. Getting there was not so easy!

I arrived in London to discover that half the tube lines and stations were not in use. No problem getting to Tate Modern – lovely walk along the Embankment and the Tate is an experience on its own (watch out for the StillWalk). Afterwards I crossed the Millemium Bridge ‘cos I wanted to, and then headed for the tube . . . 1st station closed . . . and the 2nd . . . and the 3rd . . . finally London Bridge was open but I couldn’t figure out which lines/stations were open to allow me to get to Richmond. Knackered by this time, I waited in the ticket queue for assistance and finally took a roundabout route out to the BTG meeting, arriving late and exhausted.

To end on a brighter side – the weather was beautiful and I enjoyed the train journey up to London – got some work done, emailed some friends and recorded this great clip of travelling under the Severn Estuary.