My walk this week was short, cold and through the remnants of Storm Hannah – it was part of a sound and weave workshop I was running over the weekend. The first stage of the workshop was to go round Swansea Marina and listen to the sounds which featured what is known as the Marina Orchestra.
The leading orchestral instruments are the masts and rigging followed by the percussion of clanks and bangs, thumps and gloops of other maritime artefacts and of course the choppy water of the marina itself.
It was wild and cold and although we found a relatively sheltered spot to listen to the “symphony”, when we ventured down to the seafront, Continue reading→
The most important reason for me to visit Dumfries was to check out Gracefield Arts Centre and the space in which I would have work in an exhibition later in the year. The British Tapestry Group exhibition “Sound and Weave” is now on at the arts centre and runs there until 29th September.
My tapestry is experimentally interactive with light sensors embedded in the weave – the sensors trigger different field recordings layered over a looping background soundscape when they are cast into shadow by, for instance, the viewer’s hand or body.
“Experimental” is the key work here and it proved a challenge to calibrate the sensors to react at their optimum in a space with lighting quite different from my studio. In this instance I am happy for the interactivity of the tapestry to be sensitive to the changing ambient light as much as the gallery lighting and human intervention, but in future venues I will provide my own lighting with a view to a tighter control of the sensors.
INTERCONNECTION – interactive woven tapestry by Alastair Duncan
INTERCONNECTION – interactive woven tapestry by Alastair Duncan
The videos below show both my own tapestry “in action” and the other works in the exhibition. Thanks again to Dawn, the Arts Officer at Gracefield, and all the BTG people involved in setting up the exhibition. It will be my turn when it comes to Swansea in March 2019!
If the videos do not show below in your browser, please click the links below to view them on Vimeo.
My walk this week is around Bath in the south west of England – a town famous for its Roman baths and spas and also for its place in literature, specifically the wonderful classic books of Jane Austen – see here.
I was in Bath was to go see the Tapestry: Here and Now exhibition at the Holburne Museum and attend tapestry weaving symposium held there – The Narrative of Tapestry. The view above is from the museum looking down Great Pulteney Street. Continue reading→
Reviewing the walk this week I looked across the valley to the lakeside woodland through which I wandered in order to collect materials for my natural weaving project on the Get Creative weekend at The Waterside-Felindre.Continue reading→
Having found natural materials to construct and weave with in the lakeside woodland of The Waterside-Felindre, I only had time over the Get Creative weekend to make a start on this outdoor weaving. Hopefully it is sturdy enough to withstand the attentions of the alpacas and open enough to allow the wind through – at least until the next time I am able to work on it.Continue reading→
My walk this week is another waterside woodland walk. More specifically, this walk was one with a different purpose to my usual health and wellbeing and observation walks. Visual and aural observation was certainly a part of it as I was looking for potential natural material for a weaving frame. The woodland in question is at The Waterside-Felindre, a place I have presented on this blog on a few occasions, though I hope always in a different way or showing different aspects of the place.Continue reading→
As a diversion from my walk this week I thought I would take a brief look at the exciting and experimental weekend I have just had as part of the Get Creative weekend I took part in at The Waterside-Felindre with Collective Headspace.Continue reading→
A few weeks ago I took a tapestry weaving workshop over the weekend for the Crickhowell Guild of Spinners, Weavers and Dyers. They had asked me if I could do a version of my workshop “Sounding out Colour and Texture”.
The workshop focus was sound and the intention was to help everyone to develop ideas for tapestry weaving by using a medium that may not have occurred to them previously. It wasn’t going to be possible in the time allowed to produce finished tapestries but we were able to experiment with different techniques and materials as a means of interpreting different aspects of sound.
The language used in describing sound relates very well to the language used in the visual arts and crafts. I am not talking of the technical terms connected to audio and tapestry weaving, but rather the interpretive, emotional terms used. Colour and texture, rhythm and melody.
We often hear the term “the tapestry of life” – the wide range of techniques and materials it is possible to use within tapestry weaving make it possible to represent any number of aspects of our emotional and physical lives and sound can be an excellent starting point for exploring those possibilities.
In these workshops I would also ask people to close their eyes and imagine what colour a sound might be or what it would feel like in their hands if they could grab a hold of it. The sound editing program I use, Adobe Audition, can show us the wave form of the sound and it can show us the “shape” of the sound in the spectral display, but it cannot tell us its texture and the colour it shows is only that selected by the user in the program’s preferences.
This is where the imagination comes in and helps us to develop the designs we may use to present an interpretation of a subject that could be said to have an extra dimension to it.
apart from looking at how different sounds appear visually on the spectral display of an editing program like Adobe Audition,
