Black and white / monochrome? You might expect these images to have been produced in monochrome but in fact the last one is the only one that I felt merited the change from colour.
I like the subtleness of the colour in the first two and although I tried the third in B&W and made the necessary adjustments, I found the blue at the bottom of that tyre well to be just right along with the a-concentric curves of the layered rubber.
All images taken on my iPhone with ProCamera.
I am currently working on the post-production for a StillWalks video in Cwmdonkin Park in Swansea. It is a while since I was able to look at the photos and I was surprised to come across the image below. It is not one that I am likely to use in the video but I love the abstract nature of this tree bark.
The colour and texture make it a painting for me, one which makes me feel a little uneasy! Is that a face in there? Can you see it?
Out of the woods and heading for the sea, this stretch of boggy meadow in Cwm Nash was full of colour.
As with all other posts, click the pics to view them larger.
Some of the colour I found my walk along Swansea Bay’s cycle/foot path recently was a little confusing. Autumn colours in Summer? I discovered this young oak sapling on my walk through a wooded section of the path and although the year is passing quickly, I am pretty sure we are not in Autumn yet.
I guess it is just the colour that this particular variety of oak tree shows at this stage of its life/year. However, not long ago (in Spring) we found our amelanchier putting out a number of red autumn coloured leaves and wondered if the plant life of the planet is as confused as we are by the changing climate.
I don’t know what the red plant is in the second photo but its colour sure stood out against the green background!
A few weeks ago I took a tapestry weaving workshop over the weekend for the Crickhowell Guild of Spinners, Weavers and Dyers. They had asked me if I could do a version of my workshop “Sounding out Colour and Texture”.
The workshop focus was sound and the intention was to help everyone to develop ideas for tapestry weaving by using a medium that may not have occurred to them previously. It wasn’t going to be possible in the time allowed to produce finished tapestries but we were able to experiment with different techniques and materials as a means of interpreting different aspects of sound.
The language used in describing sound relates very well to the language used in the visual arts and crafts. I am not talking of the technical terms connected to audio and tapestry weaving, but rather the interpretive, emotional terms used. Colour and texture, rhythm and melody.
We often hear the term “the tapestry of life” – the wide range of techniques and materials it is possible to use within tapestry weaving make it possible to represent any number of aspects of our emotional and physical lives and sound can be an excellent starting point for exploring those possibilities.
In these workshops I would also ask people to close their eyes and imagine what colour a sound might be or what it would feel like in their hands if they could grab a hold of it. The sound editing program I use, Adobe Audition, can show us the wave form of the sound and it can show us the “shape” of the sound in the spectral display, but it cannot tell us its texture and the colour it shows is only that selected by the user in the program’s preferences.
This is where the imagination comes in and helps us to develop the designs we may use to present an interpretation of a subject that could be said to have an extra dimension to it.
apart from looking at how different sounds appear visually on the spectral display of an editing program like Adobe Audition,
Just the beautiful and colourful Galloway scenery in SW Scotland!
