Marsh Grasses

A Focus on Marsh Grass

One of the things I like most about  my walk this week on my local salt marsh is the marsh grass. It’s not the only thing I focus on when there, but using the camera to look at different aspects of the grass by adjusting the focal length allows me to investigate some of its different textures and patterns.

Marsh grass

The two images below with the fence half hidden amongst the grasses are ones that each have a different depth of field and which I like for different reasons. The one with the fence and background grasses blurred gives me a better sense of being there while the other seems to me to be more diagrammatic, though I like the complex texture it presents.  You may see them differently, but neither of them are realistic insofar as the camera lens cannot see in the way our eyes do but only recreate a sense of a place which we, ultimately, respond to according to our individual perception. Perhaps, if you are unfamiliar with this kind of landscape feature, the images may mean nothing to you. Our connection and response to the things around us, images included, is strongly influenced by our own experiences.

groovy perspective

A Perspective on Walls

Continuing on my walk this week along Swansea beach the promenade wall and sea defence is made of concrete. To some this may not be the most exciting of materials to look at but interesting things have often been done with in in architecture.

Swansea Bay cyclists

Swansea sea wall has sections that are embossed with selected maritime words but the words I have focussed on in these images have been scratched into the surface which seems to me more in keeping with the materials (as with the embossed words) than the more normal painted graffiti. Continue reading

Less Is More – Broken Walls

This is part of the ruined walls of Carreg Cennen Castle in Carmarthenshire, South Wales.

Photographically, less in the frame and a relatively short depth of field has provided a greater range of texture and contrast. The technical elements of this image may be important in helping to produce the photo in the first place, but the enjoyment or interpretation of it is personal to our own individual perception.

Carreg Cennen Castle

Stumped

This large tree stump made it look like the tree had been growing straight out of the sand on Swansea beach.

Swansea harbour wall

tree stump

Sand, Sea and Wind

On a windy day in Swansea Bay, watching the movements of the top layer of dry sand getting blown across the seaweed and other debris on the beach is as entertaining as watching the sea itself.

The action of waves in the sea can be mesmerising, but so too can the patterns created by the wind on dry sand as it catches the various objects and undulations of the beach. The sculptures created can be fascinating but watching them be created is even more so.

The camera does not see in the same way as the eye but in these images I think there is some advantage to the relatively narrow depth of field. The areas of blur seem to me to emphasise the atmosphere and effect of the conditions at the time. The textures that show through in the areas of sharpness combined with soft foreground / background, feel much more like it physically was than if everything was clean and crisp and static.

I hope the second sound clip from this photo shoot helps to “put you in the picture”. Even my home made wind shield could not handle the strength of the wind on the beach, but I decided that the distortion and break up of the sound was all a part of the character of the scene.

High Winds in Swansea Bay

High Winds in Swansea Bay

High Winds in Swansea Bay

You can use the new Donate button below to help StillWalks. Pay how much you want and receive a high quality download of this week’s featured StillWalks video – “Moss Wood Walk” which is from Gnoll Park in Neath, South wales. Click the image below to watch the video.

Paypal button

Phone Photography Close-Up

Still working with the iPhone without any add-on gadgets (see previous posts). Without a clip on macro lens for the iPhone camera, there is a limit, as with any lens, as to how close you can get to a subject before the subject blurs. Whilst you can get pretty close with the phone camera, with a subject like this, it can be difficult to tell what is going to be within the depth of field and what is not.

This first shot is the best I could do with the phone and yes, there have been adjustments made in adobe Lightroom. The second shot is a close crop of the third image shown here. The heavy cropping was necessary because I didn’t get the camera focused on the right area of the subject. The third shot is unedited in any way.

The last shot is of the same plant in another location earlier in the year at 6.00AM but the photo was taken on my DSLR camera with my zoom lens . . . say no more!

Fforest Forest Close-up 1

Fforest Forest Close-up 2

Fforest Forest Close-up 3Troserch DSLR Close-up