Is the footpath coming out of the dark woods or going into them?
When selecting images to post on this blog I try to pick photos that I like for a range of different reasons – composition, texture, pattern – perhaps most importantly, how well they depict my memory of the place they represent.
My main reason for choosing the images below is composition. In the first shot I particularly like the combined shapes of the light – the oblique oval of reflected light on the water of the canal and the quarter oval of light in the sky. The image, for me, is not so much about the reflection of land on water as the abstract shapes of light and dark, hence my rendering of the second image.
The composition of the last photo has nothing to do with manipulation. This was simply the way the reflection appeared with the apparent shape mask being created by the reflection of the wall and underside of a bridge over the canal. The shot was a little underexposed but this made for a more dynamic and abstract composition.
Complementary images are posted on Instagram through the week and can also be seen on the sidebar of the StillWalks blog.
The first image below is not monochrome but you would be forgiven for thinking it is. I admit to taking the saturation down a bit but most of the effect comes from the direction of sunlight (yes, sunlight) and the angle of the camera. There was also quite a weird light in the sky anyway (as can be seen in my first post this week), and this has also contributed to these images.
The bottom two photos are monochrome and the last one is also included in Leanne Cole’s Photography blog post Monochrome Madness.
The early morning light on Penarth Pier is not so unusual but the mixture of colours in the sky looking out from Penarth seafront towards Flat Holm and Sleep Holm Islands in the Bristol Channel did strike me as quite weird.
Driving through driving rain is not a pleasant thing to do but that doesn’t mean there aren’t any views worth photographing. I took these shots before setting off on my return journey from the Mawr hills and decided not to do anything with the smudge of rain water on the lens which can be seen to the right of the horizon line.
The weather was bad, the atmosphere gloomy and the landscape dark. The grass on the road verges was perhaps not as dark as is shown in these photos, but the presented atmosphere is certainly accurate to my memory of the scene.
These images prove my description on Monday’s post this week of changeable weather during my day on Rhossili Downs earlier this year.
The first image can also be seen on the Monochrome Madness post at Leanne Cole Photography.
Even on a bright day, the woods can be incredibly dark! The trees in the first image show darker than they were in reality but I wanted to keep the contrast between them and the colour of the sunlit landscape behind.
The second image has been lightened! The original photo was dark but only because it reflected how dark the interior of the dense undergrowth really was.
Colour is almost not there in this Black Headed Gull but there is colour in the landscape below. The bottom image shows both the colour and lack of colour in the Loughor Estuary landscape on this particular day.
My monochrome post about this place earlier this week was prompted by the lack of colour in the estuary at the time those photos were taken. This image proves the difference under light and shade on a day of changeable weather.
This apparently coffin shaped corridor is hewn from the rock on top of which Carreg Cennen Castle stands on the edge of the Brecon Beacons in Carmarthenshire, South Wales. It leads down to a cave that must have provided either a fantastic fridge or an excellent dungeon for the occupants of the past.
And today one of my photos of the castle has been posted as part of the Monochrome Madness series by Leanne Cole Photography 🙂