As I walked back through Penclawdd on my walk this week and headed for my car, the light dimmed further and the birds began to roost . . .
It was very cold (for Wales) on this Winter afternoon walk and I didn’t sit on this perfectly placed seat, but I did enjoy the last of the light. I know I posted shots of this sky at a slightly earlier stage of its cycle yesterday, so please excuse me, but I could not resist posting again as the light faded and the colours deepened.
I met my friend David Wibberly – Photographer just after taking these photos and he was commenting on the bad light for photography. I explained that as my intention is to try to present what you would see and hear on a walk, whenever it is taken, the issue of light is something I just have to deal with.
Finally on my walk this week I rounded the corner of the edge lands to the salt marsh and was able to appreciate the vast cloudless afternoon sky. The only blemish(?) on the pale blue>green>yellow>orange canvas was a distant airplane. The other mark on that sheet of colour apart from the land itself is a tiny object on the horizon line – that is Whitford lighthouse. This a Victorian cast iron built feature of the Burry Inlet that I have been to within one or two hundred yards but have yet to find the time to time it right and get right out to it when the tide is low enough . . . someday I will.
Heading further along I met up with the river which at low tide features some very glorious mud – “mud, mud, glorious mud. nothing quite like it but . . .” something the birds in the area thoroughly enjoy or at least feed in. Enjoy the sound below.
The route of my walk this week took me around the back of working buildings in Penclawdd on the North Gower coast. Although it was bitterly cold in this area shaded from the sun and the beautiful views across the salt marsh were obscured, there were still fascinating finds to be made. I guess they are everyday things at this time of year – frosty grass, icy pools and so on – but looking at the patterns the cold weather creates and the colours affected by the light on this day, I found there were any number of things to record, both sights and sounds.
Penclawdd at Work
Equal to the spectacular sunsets we had on holiday in Galloway, Scotland, were the cloudscapes. Some, as with this the photos below, appeared at the end of the day. Further into the night the clouds continued to provide us with atmosphere in front of the moon, to say nothing of the reflections in water.
My walk this week at Port Eynon with the Taste of Gower walkers revealed some smiling faces . . . or perhaps I should say stony faces!
Looking directly into the light on from the beach at Port Eynon produced a smile on my own face. We are told not to face into the sun when taking photos because the light will be behind the subject and so they will appear as a silhouette. But if the subject is the light itself and the effect of being dazzled by it, then go for it (not directly at the the sun of course – that can be dangerous).
I have posted a total of 14 images of The Kelpies as part of my walk this week and that may well be too many for most of you. However, I have reviewed them sequentially on a number of occasions in posting to this blog and found that they serve me with a good memory. There are aspects of our visit to The Helix, specifically to see these sculptural installations in the Scottish landscape, that I am pleased to have enhanced by the images. The fall of changing light as the sun began to set, the details of pattern and reflection in the structures and a hint at the true scale of the work in relation to myself and the surrounding landscape.
So for those who read these posts as well as those who only look at the images, I make no excuses for the number of photos of these magnificent horses and recommend that if you get the chance, they are worth a visit.
At the entrance to the Scottish Gallery of Modern Art – Modern 1, we were met by this figure emerging from the pavement! This work is by Anthony Gormley and although one of the main exhibitions in gallery at the time was by Bridget Riley, as with Modern 2, there were other interesting things to be seen as well, including the building and its grounds.
Both Modern 1 and Modern 2 have mural projects in their stairwells – in Modern 1 it is a Douglas Gordan piece which lists all the people he could remember ever having met. The list stretches from the ground floor to the roof and looking over the banister gave me quite a woozy feeling.
We were lucky with the weather on our visit to Edinburgh and the light played a part in the art of this building just as it did in Modern 2.
Returning from the wildflower garden to the children garden on my walk this week at Kunsthuis Gallery I explored one of its features. The willow tunnel entrance to this natural / man-made “dwelling” was too enticing not to do so. Bending down to child height I entered the dome shaped structure and enjoyed the changed and semi-secretive space with its growing willow walls and willow roof creating patterns and textures as it changed the sunlight from above.
If viewing this in an email, please click the post title to see other photos in this post, thank you.