My walk this week is a revisitation to Aberavon seafront at this current time of year but from 2016 – the weather is much the same today (as I write) as it was then! But that does not make it any less interesting to me and I remember the walk well, though I admit the images and soundscape are a good memory trigger for the atmosphere.
It was a dark, wet day with a heavy sea fret coming off the bay, but it wasn’t actually raining and people were walking and running as they always are on this wonderful expansive seafront.Continue reading→
My walk this week takes place on a Summer day in Winter on the south coast of England. It was mid-February but the temperature reached over 20 degrees celsius!
Staying overnight on the seafront in Worthing, we awoke to a beautiful, bright day and took time for a walk along the stony beach with its ageing, bleached wood groynes. The garish colours of a multi-storey car park on the road side were followed through and improvedContinue reading→
The sun created some interesting shadows on my walk this week along the beach in Swansea Bay. Light, as sculptor, had worked with the conditions left by the weather previous to the ebb of the tide. The materials were clusters of sticks and scattered individual twigs. The art created was both three and two dimensional and the one without the other would not, could not, have had the effect on shape and form that the specific conditions provided.
It was the clusters of sticks that initially interested me, gathered together as though they were abandoned nests. On noticing these and then an individual stick and its shadow, I couldn’t help but notice more and more of them. Continue reading→
This week I am focusing on some of the coastal curiosities I found along my walks in Scotland last month. The wind and sea had been sculpting, as they naturally do, but people were also evident in the arrangements they left behind in the form of what appeared to me like a miniature straggling sea defence. A sea defence that was set higher on the beach than the highest tide level, at least for a few days, thus ensuring they would stay there for a while and allow me to photograph them in different lights.
The low sun in the evening also sculpted the appearance of the beach into a Martian landscape and the my daughter pointed me towards the Martian colours revealed in a rock formation split by erosion. This revealed a measure of timeContinue reading→
We didn’t have a lot of time to stay in Leeds on my walk this week but I still managed to take in some of the current sculpture exhibition at the Leeds Art Gallery. One of my favourites was this piece by Barbara Hepworth from 1953.
Barbara Hepworth – Hieroglyph
The title of the work, “Hieroglyph”, prompts towards an interpretation of the piece I suppose but not knowing the title at the time of initially viewing it, I didn’t think of it as being a hieroglyph. However, its language spoke to me in terms of surface texture and pattern, form and I guess, humanity and nature. The shapes of the hollowed out areas seem figure-like and looking through them to the other side had an essence of intimacy about it. I wanted to touch and caress its cool warmth! If such a contradiction in terms can be accepted, it is the only term I can find to express my perception of the piece while expecting the stone surface to be cool to the touch.
The Richard Long installation left me cool, if not cold. The impact of the work may come again from the contradiction (or should I say juxtaposition?) of the arrangement of the natural material and the space it is in, but for me it felt somewhat contrived.
The work that had the greatest impact on me, though I cannot say it was a particularly positive one, was the alabaster figure holding a bird to her shoulder by Woman and Bird by John Skeaping. The material had a strange effect on me and looking back at the VR shot I took of the room (see below), I think it may have been the sense that I was able to see inside the body at the same time as seeing its surface – I found it a bit disturbing. Again with this piece there was an element of contradiction – the apparent textures of the stone revealed through its changes in colour, pattern and internal structure was in contrast to its worked smoothness and again there was the warmth of colour but the knowledge that if touched it the sensation would be of cold or coolness.
Richard Long installation
Richard Long installation detail
Barbara Hepworth – Hieroglyph
Barbara Hepworth – Hieroglyph reverse side
Barbara Hepworth – Hieroglyph detail
Graham Sutherland – Tin Mine: a Declivity
Mobile by Lynn Chadwick
Woman and Bird by John Skeaping
As with my previous post, if you click the VR image below on an iPhone or Android phone with the Google Cardboard Camera app installed, you will be able to view the full 360º of the space in virtual reality. On the linked image on your phone select the “Save to app” button and then fit your phone to the Google Cardboard device.
The darkness lifted ever so slowly as I proceeded on my walk this week from city centre to seafront in the approaching dawn. Having traversed the Maritime Quarter with its shadow patterns and reflections (see previous post) and experiencing a hint of the cold wind to come, I emerged onto the seafront behind a stainless steel sail sculpture and quickly retreated back behind the corner of the building by my side.
It was cold and wild and the distant blue-grey light on the eastern horizon gave no hint of how the day may turn out. The tide was high and the waves crashed against each otherContinue reading→
My walk this week as a memorial for walk leader Mike Aspland and a fund raiser for the Old Mill Foundation cancer hospice was at a time when the farmers were very active in the fields. If you would like to donate to the Old Mill Foundation, please visit their website and click the “Donate” button.Continue reading→
My walk this week featured a range of mixed media. From the natural mossy trees in perspective and their shadows on buildings to a classical architectural foreground with a more modernist tower in the background; the intricacy of sculptures and the simplicity of the structures within walls along with urban pedestrian functionality. It makes for quite a mixed bag and all to be seen within a hundred yards or so in the centre of Cardiff City.