When I crossed the Millennium Footbridge in York at the start of my walk this week I was interested in the arrangement of the half submerged objects in the flooded River Ouse. In post production I also saw the potential for the use of monochrome in many of the photographs I shot with the result that this week I have been posting parallel image galleries in colour and black and white (and one or two in sepia).
There were some images which would have been pointless in monochrome, such as the one above or those below of the primroses. But there are others where the colour was almost pointless such as those of the bridge itself and its wet railing. And then there is the sound . . .Continue reading→
My walk this week features the effect of the flooding River Ouse on Rowntree Park in York. The park was closed due to the excess of water but the cafe overlooking the watery scene was not and so I was able to sit with a coffee and observe.
I don’t think it was the stress of too much water that set the Canada Geese fighting – more likely it was the time of year. It provided some action entertainmentContinue reading→
My walk this week follows a flood – not so much follows in fact, more dictated. The River Ouse in York regularly floods if there is a lot of rainfall in the area or up river and when I was there at the start of April the rain was teeming down across the country. I took the earliest opportunity when the rain stopped to check out the watery scene.
I was at least able to cross the Millennium Footbridge whereas on a previous occasion I had not even been able to approach the bridge! What caught my eye in particular was the arrangement of objects such as semi submerged bollards, fence reflections and the ghost image of the footpath as it curved round under the water.
In looking back at the photos I couldn’t decide whether I preferred them in colour or monochrome, so they are both included below – all except the curved footpath shot because in monochrome the path was completely hidden.
My walk this week has been around the area next to Bristol Temple Meads and at the end of this architectural walk I entered the railway station, not just to view its structure and design but talso to listen to its sounds.
The start of my soundscape for this walk, like the photos posted at the start of the week, provide some evidence of people – footsteps and voices – but not nearly as much as you might expect for the number of people that were actually there. Perhaps the sounds of human voices and the actions of individuals were being absorbed or muffled by the three dimensional complexity of the city’s architecture and the activities taking place, such as building construction, trains, traffic, etc.
The sounds inside the station were, as you would expect, different. Aside from the echo and reverberation of the cavernous space, the density of people and subsequently their voices and conversations rose to another level. And then the trains arrived and the background ambience changed again – until the train left.
This walk did not involve much in the way of nature and for me there is no question about which is more pleasant and relaxing (a natural environment), but I still find the urban environment of huge interest and I am just as fascinated by the textures, patterns, shapes and colours to be seen and heard around me in the city as I am in a wood or on a mountain – less relaxed but still interested.
On my walk this week around an area of the Bristol cityscape next to Temple Meads railway station, I was attracted by the patterns and perspectives, and the nuts and bolts of the architecture and construction along the riverside.
A passing walker said he liked the view up the river from under a nearby bridge so I made a point of heading that way. Underneath I found I liked the view of the bridge as much as from it, enjoying the rows and patterns in perspective of nuts and bolts and rivets as well as the dark heavy weight of the structure. The design and engineering of structures like this and all the architecture around me was remarkable. The arrangement of the buildings is also remarkable and looking at them from different angles creates a new jigsaw of shapes with every turn of the head.
My walk this week is around a small central area of city of Bristol next to Temple Meads railway station. I had been for an interview with the Theo Moorman Charitable Trust for an award of funding towards developing new work in my tapestry weaving – the application was successful I am pleased to say.
It was a sunny day and my next appointment for the day was later in the day in Newport where I ended up with another short walk – see last week’s posts. So I took the opportunity to have a little explore of theContinue reading→
My walk this week has been through a space between, a space on the edge of both nature and industry – and nature, of course, wins every time and in so many ways.
Looking at the evidence of man is perhaps not the best way to finish my posts on this walk but there are other elements to the landscape apart from the old tyres and wires. The profusion of old Buddleia bushes will soonContinue reading→
The edgeland of Newport which I was exploring on my walk this week were partly coloured by industry, but Spring knows no bounds and prompts all plant life to new growth at this time of year.
And so, looking away from some of the other aspects of this liminal industrial space, I took a closer look at some of the different wasteland plants that were coming to life around me. The buds and seed heads were fluffy, furry and fuzzy as they set out for the sun against the red earth and water of the ponds in this abandoned area of the Newport Levels.
I never did get to the official Newport Wetlands but was very happy to see this less cared for environment where there was plenty of evidence of man but no man to be seen.
My walk this week is through the edgelands of Newport, South East Wales (UK). It took me towards what promised to be Newport Wetlands, according to the footpath sign post. I hadn’t gone there for this purpose but found myself frustrated in another errand and in need of an escape from the pressures of the day.
I’d looked to see if there were any nearby walks in a natural environment. What I found was a wild space between industries that promised at least the potential to check out the reensContinue reading→
On this, the third side of my triangular urban walk this week, my main focus (or perspective) is on steps. It was a long set of scaffolding steps that I originally wanted to photograph and which turned into a walk round the block that revealed some other angular and twisted (spiral) steps. I was amused by the “floating” gate below which advertises the entrance to The Forge.
As someone who enjoys many different aspects of metal I couldn’t resist the first perspective shot below of the structure and pattern of shop front shutters, but as I turned the next corner I was also taken by the colour, repeating pattern and perspective of the short terrace across the street. I found other perspectives Continue reading→