My walk this week takes me back a couple of years to a day in the Welsh hills around Cwndu. The fact that this is a repost of images from that time, albeit a different selection and a re-edit of the soundscape, tells you how busy I have been lately.
Fortunately, when I am so busy that it is difficult to find the time for a decent walk, I can at least use my own StillWalks® videos and benefit from the different places they take me to in my head. This particular walk is a strong memory for me,Continue reading→
My walk this week was short, cold and through the remnants of Storm Hannah – it was part of a sound and weave workshop I was running over the weekend. The first stage of the workshop was to go round Swansea Marina and listen to the sounds which featured what is known as the Marina Orchestra.
The leading orchestral instruments are the masts and rigging followed by the percussion of clanks and bangs, thumps and gloops of other maritime artefacts and of course the choppy water of the marina itself.
It was wild and cold and although we found a relatively sheltered spot to listen to the “symphony”, when we ventured down to the seafront, Continue reading→
My walk this week was more like a run than a walk – I was run off my feet setting up and installing art work in three different venues in Swansea. The main exhibition is the British Tapestry Group’s “Sound and Weave” in which I have an interactive tapestry.
There is a route map for the exhibitions below and I will be posting images and videos about the work over this month on FB and IG and perhaps here as well.
“Sound and Weave” exhibition venues in Swansea
Sound and Weave at Swansea College of Art UWTSD
Sound and Weave at Swansea College of Art UWTSD
Louise Martin installation – “WHISPERED WORDS”
Stephanie Edwards’ – “SHHH . . . the sound of silence”
This is the first post I have written and published entirely from my phone – the result of pressure of time! While I have been very busy with this work, I would like to acknowledge the support and assistance of one of the other exhibitors, Stephanie Edwards, my daughter, Hannah and my wife Julie – also the support in the background of the BTG. Thank you all very much.
The sun created some interesting shadows on my walk this week along the beach in Swansea Bay. Light, as sculptor, had worked with the conditions left by the weather previous to the ebb of the tide. The materials were clusters of sticks and scattered individual twigs. The art created was both three and two dimensional and the one without the other would not, could not, have had the effect on shape and form that the specific conditions provided.
It was the clusters of sticks that initially interested me, gathered together as though they were abandoned nests. On noticing these and then an individual stick and its shadow, I couldn’t help but notice more and more of them. Continue reading→
Recently I have been involved in the Queen Street Gallery, a new gallery and the first of its kind in Neath. The gallery widens the reach of art in the Swansea Bay area and includes well established as well as emerging Welsh and international artists in different fields of practice.
Queen Street Gallery opened in June and is proving a popular addition to the centre of Neath. Just down the road from the train station, it is an easy place to get to and has its latest exhibition opening tonight from 6 – 8pm (Friday 7th September 2018). Carole and Peter Evans have a retrospective exhibition of their painting – closely observed cameos of everyday life. Both Carole and Peter were born in Neath and both have exhibited throughout Wales, London and The Cotswolds.
There are many galleries in Swansea these days, some quite big and some quite small. Elysium Gallery is one of the small ones but is part of a large artists organisation in the city with close connections to Swansea College of Art and running a substantial collection of artists studios and events.
The exhibition, “Paint to the Teeth Bone”, that has just finished at Elysium featured three emerging artists currently students at the college. I look forward to seeing how each of the artists develop their work but I was particularly taken by Sophie Hardings work on figures.Continue reading→
The third focus of my attention in my walk around the art of Swansea was the BEEP Painting Biennial. This work was in several venues in the city but the bulk of it was exhibited in the College of Art throughout August and into September – it finishes this weekend so if you have the opportunity, I can recommend it.
I have picked out some of my favourites below but the there were many more I liked and the exhibition could have been half the size and would still have satisfied (unless, of course, my favourites were not included).Continue reading→
Last week I took a day to walk around some of the art currently showing in Swansea. The city is teeming with it – all sorts both international and local. For many years now the arts scene in Swansea has been good but in recent years it has been growing even stronger. So I will be posting each day this week with a different aspect of the work we enjoyed on our tour from one gallery to the next.
We started at the Glynn Vivian Art Gallery where N. S. Harsha had his largest exhibition in the UK to date. He was winner of the Artes Mundi prize in 2008 and one of the works was an installation made for the Glynn Vivian. The whole exhibition was impressive and the installation was powerful in its use of mirrors – I became one of the people painted on the floor looking up at the mirrored ceiling. It has a strange and disorientating effect.Continue reading→