My walk this week has looked at art, craft, design and now, having come back outside on a beautiful Spring day in Leeds city centre, I am looking at shadows. Standing on the steps of the Leeds Art Gallery and looking down on Victoria Square the subject matter of my photography (iPhonography) was obvious. The patterns of light and shade created by such a bright day stood out in strong contrast against both the warm coloured paving stones and the strong blue of the sky.
The shot I took of the pattern of tree branches on the pavement confused me at first. I thought it was out of focus, until I saw on closer inspection that while the tree trunk shape close to the ground and cracks between the paving slabs were in focus,Continue reading→
We didn’t have a lot of time to stay in Leeds on my walk this week but I still managed to take in some of the current sculpture exhibition at the Leeds Art Gallery. One of my favourites was this piece by Barbara Hepworth from 1953.
Barbara Hepworth – Hieroglyph
The title of the work, “Hieroglyph”, prompts towards an interpretation of the piece I suppose but not knowing the title at the time of initially viewing it, I didn’t think of it as being a hieroglyph. However, its language spoke to me in terms of surface texture and pattern, form and I guess, humanity and nature. The shapes of the hollowed out areas seem figure-like and looking through them to the other side had an essence of intimacy about it. I wanted to touch and caress its cool warmth! If such a contradiction in terms can be accepted, it is the only term I can find to express my perception of the piece while expecting the stone surface to be cool to the touch.
The Richard Long installation left me cool, if not cold. The impact of the work may come again from the contradiction (or should I say juxtaposition?) of the arrangement of the natural material and the space it is in, but for me it felt somewhat contrived.
The work that had the greatest impact on me, though I cannot say it was a particularly positive one, was the alabaster figure holding a bird to her shoulder by Woman and Bird by John Skeaping. The material had a strange effect on me and looking back at the VR shot I took of the room (see below), I think it may have been the sense that I was able to see inside the body at the same time as seeing its surface – I found it a bit disturbing. Again with this piece there was an element of contradiction – the apparent textures of the stone revealed through its changes in colour, pattern and internal structure was in contrast to its worked smoothness and again there was the warmth of colour but the knowledge that if touched it the sensation would be of cold or coolness.
Richard Long installation
Richard Long installation detail
Barbara Hepworth – Hieroglyph
Barbara Hepworth – Hieroglyph reverse side
Barbara Hepworth – Hieroglyph detail
Graham Sutherland – Tin Mine: a Declivity
Mobile by Lynn Chadwick
Woman and Bird by John Skeaping
As with my previous post, if you click the VR image below on an iPhone or Android phone with the Google Cardboard Camera app installed, you will be able to view the full 360º of the space in virtual reality. On the linked image on your phone select the “Save to app” button and then fit your phone to the Google Cardboard device.
My walk this week in Leeds is my vehicle for showcasing my daughter’s work as a jewellery artist – Hannah Duncan Creations. I say “artist” because the work she designs is her means of expression, but she is a great craftsperson as well. The collection she delivered recently to the Craft Centre and Design Gallery includes work based on the rocky coastlines of Britain and in some pieces the very sand from the beaches forms a part of the work.
The image below is an example of Hannah’s work and if you would like to see more please visit her website at Hannah Duncan Creations.
Hannah Duncan Creations
Our recent travels to York (see last weeks walk posts) allowed us to help Hannah out and visit Leeds on our way home. The day was beautifully sunny and our walk to the City Art Gallery and the Design Centre below it was brightContinue reading→
When I crossed the Millennium Footbridge in York at the start of my walk this week I was interested in the arrangement of the half submerged objects in the flooded River Ouse. In post production I also saw the potential for the use of monochrome in many of the photographs I shot with the result that this week I have been posting parallel image galleries in colour and black and white (and one or two in sepia).
There were some images which would have been pointless in monochrome, such as the one above or those below of the primroses. But there are others where the colour was almost pointless such as those of the bridge itself and its wet railing. And then there is the sound . . .Continue reading→
My walk this week features the effect of the flooding River Ouse on Rowntree Park in York. The park was closed due to the excess of water but the cafe overlooking the watery scene was not and so I was able to sit with a coffee and observe.
I don’t think it was the stress of too much water that set the Canada Geese fighting – more likely it was the time of year. It provided some action entertainmentContinue reading→
My walk this week follows a flood – not so much follows in fact, more dictated. The River Ouse in York regularly floods if there is a lot of rainfall in the area or up river and when I was there at the start of April the rain was teeming down across the country. I took the earliest opportunity when the rain stopped to check out the watery scene.
I was at least able to cross the Millennium Footbridge whereas on a previous occasion I had not even been able to approach the bridge! What caught my eye in particular was the arrangement of objects such as semi submerged bollards, fence reflections and the ghost image of the footpath as it curved round under the water.
In looking back at the photos I couldn’t decide whether I preferred them in colour or monochrome, so they are both included below – all except the curved footpath shot because in monochrome the path was completely hidden.
My walk this week has been around the area next to Bristol Temple Meads and at the end of this architectural walk I entered the railway station, not just to view its structure and design but talso to listen to its sounds.
The start of my soundscape for this walk, like the photos posted at the start of the week, provide some evidence of people – footsteps and voices – but not nearly as much as you might expect for the number of people that were actually there. Perhaps the sounds of human voices and the actions of individuals were being absorbed or muffled by the three dimensional complexity of the city’s architecture and the activities taking place, such as building construction, trains, traffic, etc.
The sounds inside the station were, as you would expect, different. Aside from the echo and reverberation of the cavernous space, the density of people and subsequently their voices and conversations rose to another level. And then the trains arrived and the background ambience changed again – until the train left.
This walk did not involve much in the way of nature and for me there is no question about which is more pleasant and relaxing (a natural environment), but I still find the urban environment of huge interest and I am just as fascinated by the textures, patterns, shapes and colours to be seen and heard around me in the city as I am in a wood or on a mountain – less relaxed but still interested.
On my walk this week around an area of the Bristol cityscape next to Temple Meads railway station, I was attracted by the patterns and perspectives, and the nuts and bolts of the architecture and construction along the riverside.
A passing walker said he liked the view up the river from under a nearby bridge so I made a point of heading that way. Underneath I found I liked the view of the bridge as much as from it, enjoying the rows and patterns in perspective of nuts and bolts and rivets as well as the dark heavy weight of the structure. The design and engineering of structures like this and all the architecture around me was remarkable. The arrangement of the buildings is also remarkable and looking at them from different angles creates a new jigsaw of shapes with every turn of the head.
