When I crossed the Millennium Footbridge in York at the start of my walk this week I was interested in the arrangement of the half submerged objects in the flooded River Ouse. In post production I also saw the potential for the use of monochrome in many of the photographs I shot with the result that this week I have been posting parallel image galleries in colour and black and white (and one or two in sepia).
There were some images which would have been pointless in monochrome, such as the one above or those below of the primroses. But there are others where the colour was almost pointless such as those of the bridge itself and its wet railing. And then there is the sound . . .Continue reading→
My walk this week has been around the area next to Bristol Temple Meads and at the end of this architectural walk I entered the railway station, not just to view its structure and design but talso to listen to its sounds.
The start of my soundscape for this walk, like the photos posted at the start of the week, provide some evidence of people – footsteps and voices – but not nearly as much as you might expect for the number of people that were actually there. Perhaps the sounds of human voices and the actions of individuals were being absorbed or muffled by the three dimensional complexity of the city’s architecture and the activities taking place, such as building construction, trains, traffic, etc.
The sounds inside the station were, as you would expect, different. Aside from the echo and reverberation of the cavernous space, the density of people and subsequently their voices and conversations rose to another level. And then the trains arrived and the background ambience changed again – until the train left.
This walk did not involve much in the way of nature and for me there is no question about which is more pleasant and relaxing (a natural environment), but I still find the urban environment of huge interest and I am just as fascinated by the textures, patterns, shapes and colours to be seen and heard around me in the city as I am in a wood or on a mountain – less relaxed but still interested.
On my walk this week around an area of the Bristol cityscape next to Temple Meads railway station, I was attracted by the patterns and perspectives, and the nuts and bolts of the architecture and construction along the riverside.
A passing walker said he liked the view up the river from under a nearby bridge so I made a point of heading that way. Underneath I found I liked the view of the bridge as much as from it, enjoying the rows and patterns in perspective of nuts and bolts and rivets as well as the dark heavy weight of the structure. The design and engineering of structures like this and all the architecture around me was remarkable. The arrangement of the buildings is also remarkable and looking at them from different angles creates a new jigsaw of shapes with every turn of the head.
On this, the third side of my triangular urban walk this week, my main focus (or perspective) is on steps. It was a long set of scaffolding steps that I originally wanted to photograph and which turned into a walk round the block that revealed some other angular and twisted (spiral) steps. I was amused by the “floating” gate below which advertises the entrance to The Forge.
As someone who enjoys many different aspects of metal I couldn’t resist the first perspective shot below of the structure and pattern of shop front shutters, but as I turned the next corner I was also taken by the colour, repeating pattern and perspective of the short terrace across the street. I found other perspectives Continue reading→
Looking at some of the patterns and features on my triangular urban walk this week, the second side of the triangle provided me with a number of everyday aspects of the city with, to me, points of visual interest. The angles and perspectives of architectural features, when looked at on their own and viewed without the context of the wider urban environment, become simply lines, shapes and patterns and can be seen as works of abstract art.
Those lines and shapes are reflected in the design of murals on the walls of the Elysium artists’ studios but opposite this is an apparent anomaly – Continue reading→
My walk this week takes a look at and listen to a small urban triangle in Swansea, South Wales. I had been looked at the patterns of tower block scaffolding on a number of occasions in passing and thought it would be good to find the opportunity to take a closer look. So, duly prepared with my kit on a dry day I set out to explore both the scaffolding and other features of a small area that includes both the Glynn Vivian Art Gallery and on the opposite side of the road, UWTSD Swansea College of Art.
There are three different eras of architectural design in this first stage (or side of the triangle) of my walk – the classical style of the Glynn Vivian and the College of Art, the more functional style of the early ’70s in the Oldway House tower block and the mixture of block and glass in the new entrance to the Glynn Vivian Art Gallery.Continue reading→
My walk this week, being in an early morning urban landscape, remained dark almost to the end of the walk. Some of the Christmas lights of Swansea were to be seen creating abstract growth patterns against the night sky, but there were more abstract patterns than this to be seen in the lighting at this early hour.
Some long exposure and movement of the lens allowed the traffic to create light trails en route to daytime and the darkness in other areasContinue reading→
My walk this weeks starts in a multi-storey carpark in town. By early I mean about 5.55 am, which is why I was surprised that the first sound I heard on getting out of my car in this empty urban space was an early bird chirruping away! It was still dark and I was in an environment as far from natural as possible.
It was interesting to experience the ambience and light (or lack of it) in this structure in its unusual empty state and I was able to check out the patterns revealed in the gloom. The background soundContinue reading→