Looking for urban woodland on my walk this week, perhaps inevitably, I found concrete and trees. While trying to keep to the narrow wooded area behind York University, I intentionally crossed a road via an underpass in order to find the castle-like structure I had spotted on Googlemaps.
Similar in design to Clifford’s Tower in the centre of York, the structure was much larger than that, and made of concrete. From the ground it was well camouflaged by the foliage patterns of light and shade cast by tall trees and the sun on the imposing walls and rusty windows.
Moving from the abandoned windows of old Copperopolis to holes in the walls of this historical aspect of Swansea, I found it difficult to understand the confusing perspective of some of the multi-layered gaps in the facades of the buildings.
I have photographed this building before but only from the other side of the River Tawe and it was good to get a closer look at its abandoned state. Those holes in the wall appear decorativeContinue reading→
Ending my observations on this first part of my walk around one of the old industrial sites of Swansea’s Copperopolis history, you only get a glimpse of that industrial past. The abandoned metal swizzle below is not necessarily a part of that past but it was there and made me think of some of the natural forms to be seen in the nature that is gradually taking over here.
The natural twizzles had in fact almost completed unfurled themselves in the new growth of yellow broom or green ferns growingContinue reading→
When I crossed the Millennium Footbridge in York at the start of my walk this week I was interested in the arrangement of the half submerged objects in the flooded River Ouse. In post production I also saw the potential for the use of monochrome in many of the photographs I shot with the result that this week I have been posting parallel image galleries in colour and black and white (and one or two in sepia).
There were some images which would have been pointless in monochrome, such as the one above or those below of the primroses. But there are others where the colour was almost pointless such as those of the bridge itself and its wet railing. And then there is the sound . . .Continue reading→
My walk this week has been around the area next to Bristol Temple Meads and at the end of this architectural walk I entered the railway station, not just to view its structure and design but talso to listen to its sounds.
The start of my soundscape for this walk, like the photos posted at the start of the week, provide some evidence of people – footsteps and voices – but not nearly as much as you might expect for the number of people that were actually there. Perhaps the sounds of human voices and the actions of individuals were being absorbed or muffled by the three dimensional complexity of the city’s architecture and the activities taking place, such as building construction, trains, traffic, etc.
The sounds inside the station were, as you would expect, different. Aside from the echo and reverberation of the cavernous space, the density of people and subsequently their voices and conversations rose to another level. And then the trains arrived and the background ambience changed again – until the train left.
This walk did not involve much in the way of nature and for me there is no question about which is more pleasant and relaxing (a natural environment), but I still find the urban environment of huge interest and I am just as fascinated by the textures, patterns, shapes and colours to be seen and heard around me in the city as I am in a wood or on a mountain – less relaxed but still interested.
On my walk this week around an area of the Bristol cityscape next to Temple Meads railway station, I was attracted by the patterns and perspectives, and the nuts and bolts of the architecture and construction along the riverside.
A passing walker said he liked the view up the river from under a nearby bridge so I made a point of heading that way. Underneath I found I liked the view of the bridge as much as from it, enjoying the rows and patterns in perspective of nuts and bolts and rivets as well as the dark heavy weight of the structure. The design and engineering of structures like this and all the architecture around me was remarkable. The arrangement of the buildings is also remarkable and looking at them from different angles creates a new jigsaw of shapes with every turn of the head.
On this, the third side of my triangular urban walk this week, my main focus (or perspective) is on steps. It was a long set of scaffolding steps that I originally wanted to photograph and which turned into a walk round the block that revealed some other angular and twisted (spiral) steps. I was amused by the “floating” gate below which advertises the entrance to The Forge.
As someone who enjoys many different aspects of metal I couldn’t resist the first perspective shot below of the structure and pattern of shop front shutters, but as I turned the next corner I was also taken by the colour, repeating pattern and perspective of the short terrace across the street. I found other perspectives Continue reading→
Looking at some of the patterns and features on my triangular urban walk this week, the second side of the triangle provided me with a number of everyday aspects of the city with, to me, points of visual interest. The angles and perspectives of architectural features, when looked at on their own and viewed without the context of the wider urban environment, become simply lines, shapes and patterns and can be seen as works of abstract art.
Those lines and shapes are reflected in the design of murals on the walls of the Elysium artists’ studios but opposite this is an apparent anomaly – Continue reading→
